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boss cs 2 manualCreate one here. Product replaced by the Boss CS-3 Compression Sustainer. G601721302 2002-2-D3-2Y BOSS Corporation. INSTRUCTIONS. Please read the instructions carefully. The BOSS CS-3 is a compression.,,,, Creators are allowed to post content they produce to the platform, so long as they comply with our policies. United Kingdom. Company number 10637289. Create one here. The main differences,,,, Creators are allowed to post content they produce to the platform, so long as they comply with our policies. Search results for: (found: ) ask for a document File Date Descr Size Popular Mfg Model: Found in chassis2model: Found in repair tips. Unfortunately, I was finally able to get the CS3 owners manual, and it says: At it's clockwise position, the attack sound is retained, in each note even in fast picking, creating drive sound. At it's clockwise position, the attack sound is retained, in each note even in fast picking, creating drive sound. Try setting it a 50 to begin with. I'm not really a country player but being from North Dakota you have to have some country chops at the ready in case of emergency or when I do fill-ins with bands that play some of that stuff. I've found that the attack knob is very interactive with the sustain knob, the attack at around noon or one o'clock works well for compressing overdriven leads for me. I'm sure this varies with each player's rig and style. Good luck to you with your CS-3, you'll surely find what you need. Paste as plain text instead Display as a link instead Clear editor Upload or insert images from URL. The CS-2 uses a VCA (Voltage Controlled Amplifier) instead of the photocouplers used by the CS-1. The VCA's speeds up the signal processing and makes the attack much faster compared to the CS-1. The Attack knob can however be used to control this.https://extranet.crea-etudiants.com/doc_pub/bose-series-2-user-manual.xml

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• boss cs-2 manual, boss cs-2 manual pdf, boss cs 2 compressor sustainer manual, boss cs 2 manual, boss ns 2 manual pdf, boss ls 2 manual.

The CS-2 performs compression and expansion at high speeds, depending upon the input signal, which permits a faster response to any input and thus eliminates the volume reduction that normally occurs during the attack, as well as the weakening and instability of the sound. This, in turn, improves the sustaining effect of the sound. In addition, the wider range of control of the attack time allows each note to be fully and clearly produced, even with fast moving phrases. On the other hand, long and attractive tones can be created for slow-moving phrases. The CS-2 also features an input impedance of 1 MOhm which allows users to take full advantage of their guitar's unique characteristics. This sound can be further enhanced by adding a chorus effect pedal. Find out what you can do. If this guide is distributed with software that includes an end user agreement, this guide, 24 May 2005 Photoshop CS2 also includes loads of new creative tools, such as. The Adobe Photoshop CS2 User Guide, which contains most of the View and Download ADOBE PHOTOSHOP CS2 user manual online. PHOTOSHOP CS2 Software pdf manual download.Reload to refresh your session. Reload to refresh your session. These documentations are only intended for qualified technicians who are aware of the respective safety regulations. Products names, logos, brands and other trademarks are the property of their respective trademark holders in the USA and other countries. Please do not offer the downloaded file for sell only use it for personal usage. Looking for other manual? For this no need registration. May be help you to repair. You could suffer a fatal electrical shock. Instead, contact your nearest service center. Note! To open downloaded files you need acrobat reader or similar pdf reader program. In addition, Also some files are djvu so you need djvu viewer to open them. These free programs can be found on this page: needed progs If you use opera you have to disable opera turbo function to download file.http://ecopromocionales.com/userfiles/bose-se-5-manual.xml If you cannot download this file, try it with CHROME or FIREFOX browser. Translate this page: Relevant AUDIO forum topics: WECONIC QX-660 sm kellene mar nem keresem. Szevasztok Tevion CRM 2005 autoradio udv mindenkinek: keresnem ennek az autoradionak a rajzat. A radio szol, vegfok alig langyos, a tobbi IC sem meleg. Hibak:5 percenkent kikapcsol, majd vissza,2 SD 2058 nagyon melegszik. Elolapon nem latszik a kijelzes, csak keken vilagit. Hangolhato, gombok vakon mukodnek.A flat kabel jo,kimerve,de szkoppal nem latok jelet. Az egesz atforrasztva,melegitve, fagyasztva. BalintKaptam egy ilyen radiotunert. BASF D-6310 HIFI RC Bekapcsolaskor a halozati nyomogomb melletti led piros zold valtas megvan ha nyomkodom a halozati kapcsolot. Semmi egyeb reakcio nincs, nincs kijelzes. Belul van egy rele ami meghuzna, de nem teszi. Van egy havernak ilyen, o jo messze lakik tolem, elektromossaghoz nem ert. Nem tud segiteni sajnos. Kapcsolasi rajz kellene hozza, nem egyszeru a tapegyseg resze. Ezt a kapcsolasi rajz kerest rogzitettem a keresek kozott is. Errol van szo. Tud valaki segiteni nekem. Udv minden forumozonak. Similar manuals: You can write in English language into the forum (not only in Hungarian). Capable of serving bright, punchy attack that barrels through a mix thanks to the pedal’s construction on photocouplers, the CS-1 can put that bright twang needed for a country tune or added presence for soloing. In the CS-1 this is done by using photocouplers. The later CS-2 and CS-3 used VCA’s (Voltage Controlled Amplifier) to create the same effect. The sound of the CS-1 is thus very different from its successors. Follow this Product Overview From 1981 to 1986, the Boss CS-2 Compression Sustainer was one of the few go-to compressor options. Over thirty years later, people still seek out this rugged and reliable classic for its smooth tone and even response.http://www.raumboerse-luzern.ch/mieten/4-speed-chevy-manual-transmission Gallery Product Specs Brand Boss Model CS-2 Compression Sustainer (Black Label) Finish Blue Year 1981 - 1986 Made In Japan Show More Similar Products From the Price Guide Sell Yours Please check the fields highlighted in red.Currency. For a better experience, please enable JavaScript in your browser before proceeding. It may not display this or other websites correctly. You should upgrade or use an alternative browser. A compressor to me is the least intuitive effect. It can be very subtle by nature, so it took me a while to grasp how the controls interact (not the CS-2, but compressors in general). Also, people tend to set them so they pump and don't sound natural. I hate unnatural effects. The CS-2 CAN be set to be natural, so that it fattens and evens out your tone. The controls are actually pretty simple. The level controls the overall volume level of the CS-2 when engaged. You want your bypassed tone to be as loud as your compressed tone, so set accordingly. Unless, you want to use the CS-2 as a sort of boost, and in that case, crank it. According to the manual, the Attack knob adds 'attack' when you turn it clockwise. I think what's really going on, is that when you turn the knob clockwise, you get a slower attack time. Counterclockwise, the attack time is increased. Finally, Sustain controls how much the signal is being compressed. I believe this to be a threshold control, and the more you turn the knob clockwise, the lower the threshold. When it's maxed, you end up bringing all of the amp noise and static, so you have to be careful. My favorite setting, is this: Level: 3:00 Attack: Maxed Sustain: 3:00 You get some nice evening out of the strings, but not a whole lot of nastiness. I want the compressor to be transparent, so that you only really notice what it was doing when you bypass it. Overall, the CS-2 is indeed classic. All sales are final. We cannot be held responsible if you ruin your pedal. I got ripped off by a buyer of my TR-2 mod.https://christiansymbolkits.com/images/boss-cs-2-manual.pdf Said he wasn't happy with the mod so I offered to buy the TR-2 from him. When I received the pedal it was non-functioning. He had drilled the hole for the pot in the wrong place piercing the ribbon going to the depth pot and completely pulled 4 traces from the PCB. And he wanted to know why the mod sounded bad. Because of this I will no longer issue refunds of any type on mods. If you do not have the skills required to perform the mod then please let us do the mod for you. Monte Allums Sometimes the leaking is actually visible. But Electrolytic caps can look okay and still be faulty. By replacing Electrolytic caps in older pedals you can actually improve the overall effect of that pedal. Honestly I was skeptical until I received an email from a client that was having issues after he modded his Boss BF-2 with one of my kits. He said the flange effect was barely noticeable. A couple of weeks later I received another email from the same client. The client said he had solved the issue by replacing all the Electrolytic caps in his BF-2. This peaked my interest so I started experimenting. I was astonished how some of my older pedals benefited from the cap upgrade. Noise seemed to be reduced and clarity and presence of the effect were enhanced. I am now offering these Cap Upgrade Kits for many of the pedals I offer kits for. In some cases some of these caps are already upgraded in the kits that I offer. But I am offering kits that replace all the Electrolytic caps for those that have not purchased my kits. They will benefit from upgrading the Electrolytic caps that I do not replace in my kits. You’ll find that some of these same caps are already replaced in the kits I offer. It’s a win win all around for those that want the maximum benefit when upgrading their pedals. But I didn’t stop there, when possible I have upgraded these Electrolytics with Metal Film and Tantalum. Not only do these caps have tighter tolerances but they will also last the life of the pedal.https://www.mercedesbenzofaustinservice.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626d9a6b69a18---3sz-ve-engine-manual.pdf The BA662A VCA Chip that the CS-2 uses is held in high regard. The compression is much smoother than the CS-3 and has a much smoother attack. My only complaint is there's no tone control and it does add a bit of noise. Plus I upgrade a few critical areas in the signal path that will lessen noise. The mod makes an already good pedal even better. My regular CS-3 Mod is my best selling mod to date and rightly so. Many feel it is better than a certain very popular pedal modders boutique compressor that sells for 3X the cost of a modded used CS-3. Having never played that certain boutique compressor I have no point of reference. But, I will say, without a doubt, that a CS-3 modded with this kit is the most inspiring compressor I have ever heard or played. My CS-3 modded with this kit rivals my favorite compressor, the Waves Renaissance Compressor. In my opinion what makes a great compressor is one that doesn't alter the original tone in a negative way. Most compressors shave off a bit of the top end of the signal and muddy up the mids and bass. This is exactly what my CS-3 Opto Mod does, and it does it very well. I modeled this kit after the character of the old vintage Opto Compressors. These compressors are highly sought after today for their ability to compress a signal in a very smooth yet transparent way. With this mod I have achieved this and more. In fact, I use a CS-3 modded with this exact kit as a front end compressor for my personal studio. I use it for vocals, acoustic guitar and keyboards. The results have been nothing short of amazing. If you're looking for a great compressor that won't break the bank and will inspire you, this is the kit for you. My best selling Mod just got better. This is how Jeurgen uses the Opto modded CS-3 on stage with his acoustic guitar. No other input stages were involved. This is exactly what he feeds into the mixing desk in a live surrounding. Click here for a complete description of what you will here in the mp3. Opto.autoescuelatosal.com/galeria/files/canon-ip90v-repair-manual.pdfmp3 Played entirely through a Boss CS-3 modded with our CS-3 Opto Mod Kit. I also used our new DS-1 Rectifier Mod on this mp3. Played on A Strat through a stock Fender Hot Rod Deluxe amp mic'd with a SM57. The Uni-Vibe type Chorus effect is a Yamaha MagicStomp II. This is one FAT and Transparent Compressor after the mod. Absolutely smokes any compressor at any price. Jean-Francois Cyr is playing a Gretsch Tennessean. You can see Jean-Francois Cyr on Youtube at. Thank you Jean-Francois for letting me use this clip. The Opto Plus is my best selling Mod I currently sell. It is the first effect in my studio and live rigs and it is always on. So, you ask, why change it. Well, many have asked me to create specific mods for the CS-3 and I already had some ideas of how to improve an already great mod. The result is my New Boss CS-3 Ultra Plus Mod. Here is a list of the specific improvements this Mod offers. With the Ultra Plus Mod I have accomplished this by smoothing out the attack and giving it a more natural feel. I have maintained all those improvements but I have added a bit of warmth and thickness to the affect. With the Ultra Plus, Warmth and Thickness increase as you dial up the Sustain Pot. This is a very cool feature of the Ultra Plus Mod. With the Ultra Plus Mod I wanted to add a bit of high end Sparkle to the effect. The harshness of the stock CS-3 has been eliminated and a very smooth high end Sparkle has been added to the affect. Another guitarist that frequently uses pinched harmonics is Eric Johnson. The effect happens when subtle harmonics are amplified. Pinched Harmonics require that fundamental frequency content be preserved. The timbre of Pinched Harmonics is greatly affected by a guitarist’s ability to maintain fundamental frequency content in their signal path. The Ultra Plus enhances the fundamental frequency content from your instrument and thus making Pinched Harmonics more musically pleasing.http://www.nanodrywash.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626d9a7791d88---3tk2804-manual.pdf The instructions are crystal clear and full of high-resolution pictures that clearly illustrate how to perform the mod. The PDF instructions are e-mailed to you once your order has shipped. All orders ship within 24 hours of order placement and we Ship to anywhere in the World! Reverb and delay was added in Cubase when mixed down. By replacing one of the CS3's inline chips with the Dual Stack Chip Adapter containing a RC4558P and Burr Brown OPA2134PA we increase the clarity of the CS3, decrease noise and add volume and headroom. This is one sweet sounding compressor with this mod. A truly great sounding mod just got better. This is exactly what my CS-3 Opto Plus Mod does, and it does it very well. In fact, I use a CS-3 modded with this kit as a front end compressor for my personal studio. My best selling Mod just got better! Just unbelievably good. Thank you Sean for letting me use these clips. Man, what great tone Sean, Awesome. Erik used a Opto Plus modded CS-3 and a Rectifier Tri-Gain Plus modded DS-1. Recording path was Texas Special Strat into CS-3 Opto plus into DS-1 Rectifier with Tri-Gain into a Fender Blues Junior. Great job Erik, and Great Tone. Juergen used a Opto Plus modded CS-3 into one of my OD-308s. The amp was set CLEAN as clean can be and I did barely increase the overall volume of the amp by using the pedals. Great job Juergen, and Great Tone! This switch will give you 3 different and very usable modes. One gives you basically the stock bass while the other 2 will give you more bass. As an added bonus the tone pot will give you a more usable and sweeter sweep. Great for Bass or Guitar! This mod absolutely Decimates the noise of the stock CS-3. The two new opamps kill n oise and add much needed clarity to the circuit. The other request I constantly get is people want more bass and warmth. The Tone Knob mod has accomplished that and more. The tone sweep is now much more responsive and adds a certain sweetness to the CS-3.https://totalyoumovement.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626d9a8a79717---3tc-repair-manual.pdf Together all the mods work to give your CS-3 near studio quality compression at a very reasonable price point. You’ll want to leave your CS-3 on all the time. I never turn mine off. Enjoy! So I have taken some of the critical parts and are offering them here to those that would like to further knock down the noise in their CS-3. I also upgrade a capacitor that will add bass and warmth to the circuit. All in all this is a wonderful upgrade for any CS-3, whether it's an Opto Plus or Ultra Modded CS-3 or even a stock CS-3. Either way you get a great improvement at a very reasonable price.The Opto Plus will retain your guitars original tone while also reducing noise and removing the harshness of the original CS-3. My New Ultra Plus mod for the CS-3 will also retain the tone of your original signal but I have fattened the effect a bit, added warmth, and I've added additional clarity to the upper frequencies thus enhancing the harmonic content of the signal. If you are a Tele player then the Ultra is the ticket. The Ultra is very single coil friendly. Humbuckers will sound thicker with added clarity also. I have also smoothed out the attack to make it a more natural sounding compression. The tone sweep is now much more responsive and adds a certain sweetness to the CS-3. This is the quietest mod for the CS-3 I offer. The added bass and warmth is better suited for bass players and guitarists with a brighter vibe amp looking for added warmth. Bottom line is, it depends on the type of tone you are searching for. All 3 Mods will make the stock CS-3 sound great. If you want noise reduction and transparency all 3 mods will give you that. The Opto is more transparent and the Ultra is fatter and the Noise Decimator will knock down noise while adding enhanced upper frequencies. You really can't go wrong with either Mod. It just depends on the type of compression you are looking for. Peaking transients will be smoother, making the signal to appear lower in volume.5571818.com/userfiles/files/canon-ip8500-printer-user-manual.pdf However, the amplifying of the lower frequencies, will make the overall volume sound more consistent and fatter and therefore, make it stand out more in a mix, with more mid range and sustain. The sustain is basically one control for all the controls you have on your studio unit, while the volume can be used to compensate or boost. His first unit was a mid 70s MXR (scrip logo) DynaComp. The pedal seems to have been placed somewhere in the middle of his effects chain.The pedals were now placed first in the chain. Using compression throughout the set and setting the amount of compression high, allow him to use less gain from his overdrive and distortion pedals and get a more focused and cutting tone, emphasising on the mid range.Compressors based around a transistor circuit, like the DynaComp, are often favoured by finger pickers, for their fast and aggressive compression. There are also FET and tube units although these are rare among pedals. You want to compress the clean signal from your pickups into the gain pedals for an even tone. This also allow you to use less gain, which again means less noise and feedback. A compressor may not be as exciting or instantly gratifying as a distortion or delay but knowing how and when to use compression can be the difference between a dull and awesome tone. A thin and mids scooped tone can have a hard time cutting through that mix but adding a bit of compression will make the tone fatter and reduce those highs for more mid range. Try a compressor in front of your Big Muff and hear how those harsh transients sound smoother and the low end gets more focused. However, and as mentioned above, a compressor is essentially a gain pedal, so when you add that on top of a cranked amp or a second or third gain pedal, like an overdrive or distortion, you get a lot of gain and it will be noisy. If needed, turn down the gain on your overdrives and distortions or roll down the sustain on the compressor. Please note that the pedals may sound and behave differently on your setup. All scores are purely subjective. The CS2 is transparent, warm and fairly mild, which means that you can dial in pretty high settings without getting any nasty pops or too much squeeze. In addition to the usual volume and sustain controls, a third control, attack, allow you to dial in how fast you want the compressor to kick in. Some might find this to be just a bit too gentle but it goes especially well with hotter pickups. The CS3 also got a slightly more aggressive compression, which makes it great for those twangy Telecaster tones. A fourth control, Tone, allows you to cut or boost the top end after compression. Look out for the many mods out there for a warmer and smoother tone. In my opinion, there are other, better sounding clones out there. Featured on countless recordings, this pedal is favoured by finger picking Tele playing country artists in particular for its super fast and aggressive attack. Some might find it a bit too overwhelming, especially with humbuckers, but it goes really well with vintage style, low output single coils and also with Big Muffs, for a bit of high end roll off and tightening of the low end.Compared to an optical model, the Dyna Comp has a more noticeable compression, which is particularly suitable for single coils and clean tones, although it works nicely in combination with dirtier pedals as well. An excellent alternative, with all the mojo and tone and you got a led, true bypass and power jack.The R-Comp captures the tone perfectly, with a sweet twang and super smooth sustain. It also got a considerable output, allowing you to boost your gain pedals or the front end of a tube amp.It has a super transparent tone, with a smooth musical compression. The Iron Fist has three controls for compression, allowing you to fine tune the effect for specific tones and pickups. See my full review of the Iron Fist here. Available in different shapes and sizes, obviously with different features, the Cali76 double as a compressor and pre-amp for recording. It provides anything from smooth subtle compression to swqueezed twang. Super silent and extremely dynamic. Sonically this one sits between a PC-2A and Dynacomp. David Gilmour swapped between a Slide Rig Compact Deluxe and Cali76 Compact in his Rattle That Lock touring rig. Like the two mentioned, the Pulp N Peel can be used both as a pedalboard unit and as a pre-amp for recording. It even feature an XLR output. What I like about the Pulp, is the blend and EQ controls. The blend allow you to finely tune the amount of compression and direct signal, while the EQ restore your tone depending on how much compression you add. A cool feature is also the dirt switch that simulate, very well, the effect you get when you drive a tube compression into overdrive. See my review of the Pulp N Peel Here. In addition to a compressor and volume control, the Compulator also feature a trim pot for adjusting the overall gain. Great for cleans and milder overdrive in particular but really one that you want to leave on most of the time. Super transparent tone, smooth musical compression and a full array of controls, makes this possibly the ultimate pedal compressor for guitar and bass. A featured tone control, allow some fine tuning of the top end after compression and a 12AU7 tube ensure a warm tone and tons of headroom. Works equally well with cleans and overdrive and fuzz. This is something you want to leave on all the time. See my full review of the Optivalve here. Whether you want to add body to your cleans or smooth transients and add sustain to your dirt, this is something you definitely want to leave on for all your tones. Like its studio counterpart the PC-2A offer a simplistic design, with two controls for peak reduction (compression) and volume as well as a unique micro tube for that amp-like tone. See my full review of the PC-2A Compressor here. Transparent tone, musical dynamics and, like the original, an onboard EQ allowing you to fine tune the tone after the compression. Works equally well with single coils and humbuckers, clean tones and gain. I use boss katana 100 amp, fender MIM. They’re very similar, with more or less the same features. I often use the Pulp. Should the signal go, guitar, dynacomp, noise reducer, in loop distortions etc. Or Guitar, noise reducer, in loop dynacomp distortions etc.Some use the NS for certain noisy pedals but you can run the whole rig through it too. Personally I like to keep the rig as open as possible and maybe just gate the pedals that are hard to control. The problem with gating is that you often loose a bit of sustain. What do you think about it. Is it a close match to optical compressors or not. Im mostly single-coiler:) It’s basically a mix up between the Dynacomp and the old Ross. Very transaprent and easy to use but not as smooth and subtle as an optical unit. I think the most important pedal for slide is a good compressor to get proper sustain and even output. What is the benefit of using 2 compressors at the same time, as David did a few times in the 80’s and 90’s? I understand that the result is different from simply using more compression and that slide players use this technique frequently. David used 2 or 3 compressors in Time (Pulse version). Some compressors made by Origin Effects use double compression. What’s the deal? How to use it? Heavy compression into ligth compression. Light compression into Heavy compression. Thanks in advance. You use the character of one effect with another. Using two compressors will allow you to both have two different types of compression, say a transistor and optical compressor, but also to finely tune the threshold, attack, release etc. In most cases, one will be more than enough, while certain effects, like the intro on Time or slides, can benefit from more compression for added sustain and attack. The MXR Dyna Comp Mini cuts off the treble left. Compressor with tone control solve my problem? I come to you today to ask which of these compressors would work on my boss katana 50 with a dark side pedal. I manage to get a great tone but lack a bit of sustain. Also which position should I have it on. Thanks again! Depends on what sort of compression you need. Subtle studio-like compression or, hard squeeze. For the Katana, being a solid state amp, I think I’d go for something subtle, like the CS3, Effectrode or Yellow Comp. What do you think of the EHX Tone Corset. Sorry for my English but I am French hoping you will understand me. It can definitely do the job and the blend function allow you dial in just the right amount. I have a Les Paul with Seymour Duncan Antiquities and I’m going for a David Gilmour-type sound, with a bit of Billy Gibbons mixed in too. I know the Keeley Compressor Plus has a humbucker mode so I’m leaning that way. My question is I have a Keeley Dark Side and I don’t know if the Keeley Compressor plus should go in front of the Dark Side or after. Seems like the fuzz on the Dark Side sounds best right in front of the chain. Thanks! Love your site. That will level the signal from your guitar into the Dark Side. Be careful with using too much compression with fuzz. Personally I don’t use compression with fuzz because it often kills the harmonics and dynamics of the effect. Now I just have to decide between the Keeley or the EarthQuaker The Warden. And before overdrive. I’m using the buffalo fx TD-X and I’ve just got 5 pedals including the yellow comp and the EMG dg20’s. I’ve been using the G system for years so it’s the first time building a pedal board.Keep in mind that compression, perhaps above any other pedal, should be set to match your pickups, amp, pedals and not least playing technique. If the compressor doesn’t have input trim, what pedal upstream of the compressor do you recommend to be a transparent one simply to deal with this issue. Basically a pedal that compensates for the pickup output so one wouldn’t have to change the compressor variables. Thanks. I guess either combining two compressors or a booster. You recommend Effectrode PC-2A and optical. CS-2 is simply impossible to get. And what do you think about Electro Harmonix Black Finger. Or maybe YellowComp is better? (is cheap). For home use on LH20H, Celestion v 30. Thank you for your reply. Radek I’ve described different models and different types of compression in the guide above. I am going to buy a new compressor. I have choosen Mooer yellowcomp and MXR Dyna Comp (box logo). Which one does a better job for gilmour tones? (pink floyd era) The price is not matter. I like them both you can’t really compare them. Probably among the best if not the best. Has also Blend knob. I’ve been looking to get a proper compressor pedal but unsure if the current MXR will fit the bill I’ve been experimenting with a dynacomp and noticed that the conventional wisdom of putting it first causes my overdrives to have greatly varied volumes when I stack them and that compensating that result by adjusting the gains and levels on them just cause them to sound the same as one another. However, when I place the dynacomp at the end of my chain, my overdrives behave as they should and the compression evens everything out. I’ve seen some people say that this in not an optimal placement for a comp because it will increase the noise floor substantially but I did not experience more noticeable noise than when I had it before my drives. Am I missing something.