boss bassman manual

LINK 1 ENTER SITE >>> Download PDF
LINK 2 ENTER SITE >>> Download PDF

File Name:boss bassman manual.pdf

Size: 4452 KB

Type: PDF, ePub, eBook

Category: Book

Uploaded: 11 May 2019, 12:43 PM

Rating: 4.6/5 from 694 votes.

Status: AVAILABLE

Last checked: 13 Minutes ago!

In order to read or download boss bassman manual ebook, you need to create a FREE account.

Download Now!

eBook includes PDF, ePub and Kindle version

✔ Register a free 1 month Trial Account.

✔ Download as many books as you like (Personal use)

✔ Cancel the membership at any time if not satisfied.

✔ Join Over 80000 Happy Readers

boss bassman manualBefore using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (supplied on a separate sheet). These sections provide important in- formation concerning the proper operation of the unit. Normally, you should adjust the LEVEL knob so there’s no difference in the volume when switching the effect on and off. Replace it with a new battery (p. 12). Owner’s manual, leaflet (“USING THE UNIT SAFELY,” Option.FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. The final result is warm and pleasant, really perfect for the Blues, but not only. It can give more soul to a solid state amp. They must be used with care, since they are interactive. A minimum of experience is necessary, but after a short period, and with the help of the manual, really exhaustive, the FBM-1 will give you many satisfactions. In effect it provides some recommendations for the setup of 3 different amps types, when they are used with the FBM-1, and also some sample settings. The Vintage look is really pleasant. Rather expensive, but it doesn't disappoint, and makes really a good work. Thanks to BOSS' technology and tone know-how, the new FBM-1 brings the natural, fat, rich, bright tone of the Fender Bassman to a BOSS pedal. In conjunction with Fender, the new BOSS FBM-1 recreates the legendary tone of the 1959 Fender Bassman. Features include the same controls on the original Bassman: Presence, Treble, Mid, and Bass EQ controls.Products and names mentioned are the property of their respective owners. Privacy Policy This page is part of GeneralManual.Com Network Boss FBM-1 Fender 59 Bassman User Manual. RSS. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in \naccordance with the instructions, may cause harmful interference to radio communications.http://www.mc-opony.pl/files/bose-l1-manual.xml

Tags:
• boss bassman pedal manual, boss 59 bassman pedal manual, boss bassman manual, boss bassman manual download, boss bassman manual pdf, boss bassman manual 2017, boss bassman manual 2016.

However, there is no guarantee \nthat interference will not occur in a particular installation. Doing so can \ndamage the cord, producing severed elements \nand short circuits. Do not operate for \na long period of time at a high volume level, or at \na level that is uncomfortable. The specific thing that must be done is \nindicated by the design contained within the circle. In \nthe case of the symbol at left, it means that the power-\ncord plug must be unplugged from the outlet. \n \n The symbol alerts the user to important instructions \nor warnings.The specific meaning of the symbol is \ndetermined by the design contained within the \ntriangle. In the case of the symbol at left, it is used for \ngeneral cautions, warnings, or alerts to danger. \n \n The symbol alerts the user to items that must never \nbe carried out (are forbidden). The specific thing that \nmust not be done is indicated by the design contained \nwithin the circle. Also, disconnect the power plug from the \npower outlet whenever the unit is to remain \nunused for an extended period of time. Depending on the way in \nwhich the electrical appliance is used, power supply noise may \ncause this unit to malfunction or may produce audible noise. Such noise \ncould occur when receiving or initiating a call, or while \nconversing. Damage or malfunction may \nresult if you attempt to use the unit in this condition. To remove stubborn dirt, \nuse a cloth impregnated with a mild, non-abrasive detergent. Important data should \nalways be backed up in another MIDI device (e.g., a sequencer), \nor written down on paper (when possible). During repairs, due \ncare is taken to avoid the loss of data. When this battery becomes \nweak, the message shown below will appear in the display. Once \nyou see this message, have the battery replaced with a fresh one \nas soon as possible to avoid the loss of all data in memory. Do not use cables \nthat incorporate resistors for connecting to this unit.http://www.celte-29-31.fr/userfiles/bose-l1-instruction-manual.xml The use \nof such cables can cause the sound level to be extremely low, \nor impossible to hear. The GT-8 is also equipped with an amp control \njack, enabling you to use the GT-8 to switch preamp channels on the connected device. For \nexample, you could use it to switch the tuner on and \noff.\n \n 30. Expression Pedal\n Controls volume, wah, and many other parameters.\n \n When you operate the expression pedal, please be \ncareful not to get your fingers pinched between the \nmovable part and the panel. The high fre-\nquencies are boosted as the knob is turned \nto the right.\n \n LEVEL Adjusts the preamp volume level. The volume increases as the knob is \nturned to the right.\n \n DELAY\n \n FEEDBACK\n Adjusts the number of times the delay is re-\npeated. The number of repeats increases as \nthe knob is turned to the right.\n \n LEVEL\n Adjusts the volume level of the delay sound. \nThe delay sound increases as the knob is \nturned to the right.\n \n CHORUS\n \n LEVEL\n Adjusts the volume level of the chorus \nsound. The chorus sound increases as the \nknob is turned to the right.\n \n REVERB\n \n LEVEL\n Adjusts the volume level of the reverb \nsound. The reverb sound increases as the \nknob is turned to the right.\n \n PATCH LEVEL\n Adjusts the overall volume level. The delay time can be set with-\nin the range of 0 to 1800 ms\n \n Tape\n This setting provides the characteristic wavering sound of the tape \necho. This makes it \neasier to achieve effect sound settings that match the tempo of the song \n(synchronizing the time to twice or four times the time length of the BPM \nwhen the set time is increased). Various differ-\nent simulations of space are offered.\n \n Ambience\n Simulates an ambience mic (off-mic, placed at a distance from the \nsound source) used in recording and other applications. Rather than \nemphasizing the reverberation, this reverb is used to produce a sense \nof openness and depth.http://superbia.lgbt/flotaganis/1648068247\n \n Room\n Simulates the reverberation in a small room. Provides warm rever-\nberations.\n \n Hall1\n Simulates the reverberation in a concert hall. Provides clear and spa-\ncious reverberations.\n \n Hall2\n Simulates the reverberation in a concert hall. Provides warm rever-\nberations.\n \n Plate\n Simulates plate reverberation (a reverb unit that uses the vibration of \na metallic plate). A light phaser ef-fect is obtained.\n \n 8 Stage This is an eight-phase effect. It is a popular phaser effect.\n \n 12 Stage This is a twelve-phase effect. This makes it \neasier to achieve effect sound settings that match the tempo of the song \n(synchronizing the cycle to one-half or one-fourth of the BPM when the \nset cycle rate is increased). You can also play \nindividual notes on the guitar and let the GT-8 judge the \nnote name.\n \n STEP:\n Sets the step of the phrase. It gives a quick sound rise and send the sound \nwith a sharp edge.\n \n Bow\n The unit directly processes the input guitar sound and creates a gui-\ntar synthesizer sound. This does not respond to pitch changes less than a semi-\ntone, such as what might be obtained with bending or vibrato. When it is set higher, the filter changes even with weaker \npicking. When it \nis set higher, the sound will rise slowly. The input from the RE-\nTURN jack is disregarded. This setup will prevent an \nnatural break of the reverberation type effect.\n \n Patch Level\n \n Master BPM\n \n FV (Foot Volume)\n This is a volume control effect. If the noise \nlevel is low, a lower setting is appropriate. Range Lo: 0\n \n Target Max: Off Act. If the MIDI channel settings are not \ncorrect, the GT-8 will be unable to exchange data with other \nMIDI devices.\n \n Operating From the GT-8\n \n Outputting Program Change Messages\n When a patch is selected on the GT-8, a Program Change \nmessage corresponding to the patch number is transmitted \nsimultaneously.http://esxpublishers.com/images/boss-bassman-manual.pdf Such messages can be used to (among other \nthings) manipulate the parameters of an external MIDI \ndevice.\n \n Transmitting Data\n You can use Exclusive messages to transmit the settings for \neffect sounds and other content stored in the GT-8 to other \nMIDI devices. Any MIDI \nequipped device is able to transmit applicable types of data \nto another MIDI equipped device, even if the two devices are \ndifferent models or were made by different manufacturers.\n \n In MIDI, performance information such as playing a key or \npressing a pedal are transmitted as MIDI Messages.\n \n How MIDI messages are \ntransmitted and received\n First, we will explain briefly how MIDI messages are \ntransmitted and received.\n \n MIDI connectors\n The following types of connector are used to convey MIDI \nmessages. This is possible because of \nthe concept of MIDI channels.\n \n The idea of MIDI channels is somewhat similar to the idea of \ntelevision channels. If you do not need to \ncontrol a specific MIDI channel, you may set Omni On.\n \n Main types of MIDI message \nused by the GT-8\n MIDI includes many types of MIDI messages that can convey \na variety of information. MIDI messages can be broadly \ndivided into two types; messages that are handled separately \nby MIDI channel (channel messages), and messages that are \nhandled without reference to a MIDI channel (system \nmessages).\n \n Channel messages\n These messages are used to convey performance \ninformation. Normally these messages perform most of the \ncontrol. The way in which a receiving device will react to \neach type of MIDI message will be determined by the \nsettings of the receiving device.\n \n Program change messages\n These messages are generally used to select sounds, and \ninclude a program change number from 1 to 128 which \nspecifies the desired sound.https://deewo.de/wp-content/plugins/formcraft/file-upload/server/content/files/1626d4c9eb9a4c---02-kia-sportage-repair-manual.pdf The GT-8 also allows you to \nselect any of the 340 different patch numbers in conjunction \nwith bank select messages; a type of control change message.\n \n Control change messages\n These messages are used to enhance the expressiveness of a \nperformance. By \ncomparing the MIDI implementation charts of two devices, \nyou can tell at a glance which messages they will be able to \nexchange. It provides complete details concerning the \nway MIDI has been implemented on this unit. If you should \nrequire this publication (such as when you intend to carry \nout byte-level programming), please contact the nearest \nRoland Service Center or authorized Roland distributor. \n\n \n \n 88 \n\n \n Appendices\n \n A\nppendices \n\n Troubleshooting\n If there is no sound or other operational problems occur, first \ncheck through the following solutions. It provides complete details \nconcerning the way MIDI has been implemented on this unit. These limits are designed to provide reasonable protection against harmful interference in a residential \ninstallation. The specific thing that \nmust not be done is indicated by the design contained \nwithin the circle.No part of this publication may be reproduced in any form without the written Lithium batteriesUdskiftning ma kun ske med batteri afLever det brugte batteri tilbage til Anvand samma batterityp eller en Kassera anvant batteri enligt Replace only with the same or Discard used batteries according to the Benytt samme batteritype eller en Brukte batterier kasseres i henhold til Vaihda paristo ainoastaan FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential However, there is no guarantee If this equipment does cause harmful interference to radio or Operation is subject to the following two conditions:This equipment requires shielded interface cables in order to meet FCC class B Limit.alliedpers.com/userfiles/files/case-446-service-manual.pdfThe wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.Service Center, or an authorized Roland Never place it on Other AC adaptors may Doing so can Do not operate for If you experience The specific thing that Center, or an authorized Roland distributor, as Depending on the way in Such noise Excessive heat can deform or Damage or malfunction may Therefore, To remove stubborn dirt, Important data should During repairs, due However, in certain cases Roland assumes no liability concerning such loss of data.When this battery becomes Roland Service Center, or an authorized Roland distributor, as MIDI device (e.g., a sequencer)Corporation assumes no liability concerning such loss of data.This way you will avoid causing You may prefer to use headphones, so you Otherwise, you Do not use cables For information on cable specifications, Contents USING THE UNIT SAFELY. 2Front Panel. 9Playing Sounds. 13Creating Your Own Favorite Tones (Patches). 16Order of Effects (Effect Chain). 20Saving the Tones You Have Created. 22Similar to What You Have in Mind. 24Introduction to Effects and Parameters.26Using Pedals to Control the Effects. 53Creating Original Effects Types (Customize).63Other Features.67Through the Guitar Volume. 67Dynamically with the Guitar Volume.67Effect Parameters (Assign Source).67Are Switched (Patch Change Mode). 71That Can Be Switched (Bank Extent). 72Switching Patches (Bank Change Mode). 72Using the GT-8 with. External MIDI Devices Connected. 79Settings (MIDI Map Select).http://www.musicmaestrodiscos.co.uk/wp-content/plugins/formcraft/file-upload/server/content/files/1626d5135e7b4c---02-kx-125-service-manual.pdf84You can connect these in serial or in parallel, combining them flexibly in Making full use of BOSS’s superior guitar effects technology, this is truly the Additionally, Dynamic Sense provides seamless switching between two COSM amps in response to the nuances of your Storing your original settings then allows you to create your sound rapidly.You can freely set the order The GT-8 is also equipped with an amp control Whether you use it for live Not only can you use the expression pedal as a wah pedal or volume pedal and the control The GT-8 comes equipped with dedicated knob controls, which COSM analyzes the many factors that make up the original sound, such as the electrical and physical characteristics of Names of Things and What They Do Front PanelThe left display shows the bank number.The chorus sound increases as the knob is turned to the With items for which there In households with small Expression Pedal Switch is on, and goes out when the L (MONO) jack. Roland FV-300L; sold separately). By connecting any other HeadphonesFoot Switch (FS-6 etc.)By turning on A brief interval Device (Amp) (Output Select)TURN of a stack amp or rack mounted Patches in these banks are called “User patches.”Patches Are Switched (Patch Change Mode)” (p. 71).These knobs TYPE Selects the preamp type.The distortion gets stronger as the knob is The high frequencies Ultra-high-frequency range. The high fre-The volume increases as the knob is turned to the right. TYPE Selects the type of overdrive or distortion.The delay sound increases as the knob is The volume increases as the knob Write)” (p. 22).Settings.” Setting you want.Write)” (p. 22).Write)” (p. 22).SettingsYou can more precisely create the sounds you want by With items for which Write)” (p. 22).Order of Effects (Effect Chain)Steps 2 and 3.With effects appearing to the You’ll probably want to take Settings or a tone with altered parameter values, use the The Play screen Patches (Patch Change)” (p.http://www.elsecretodelolivo.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626d51b00102e---02-kx-250-manual.pdf 16) to select the save destination.The Play screen returns to Patches (Patch Change)” (p. 16) to select the copy destination.The Play screen returns Patches (Patch Change)” (p. 16) to select the exchange The Play screen Similar to What You Have in MindThese are called “ EZ Tones.”The Play screen PREAMP for each channels EQSettings to Another ChannelThe Play screen returns to User patch.Copy-destination channel 25 26 Chapter 4 Introduction to Effects and Parameters. In this chapter you will find detailed descriptions for each of Speaker Simulator)Simulator.”BOSS and have not licensed or authorized BOSS’s GT-8. Their marks are used solely to identify the equipment RangeThe output from Channel B is slightly de-Channel B.Adjusts the tone for the low frequency Adjusts the tone for the middle frequency Adjusts the tone for the high frequency Adjusts the tone for the ultra high frequency Adjusts the volume level when the Solo RangeProduces a sonic image close to that of lis-Simulates the distance between the mic and RangeGood for acoustic guitarRectifier.Rectifier.Rectifier.Rectifier.SLDN This models a Soldano SLO-100.RangeAdjusts the tone for the low frequency RangeThis allows you to obtain L and R channels.Each delay time can be set in a range from 0 ms to 900 ms.The delay time can be set with-Effect LevelThis determines the delay time.This makes it When setting to BPM, press PARAMETER A higher value This sets the frequency at which the high cut When it is set to “Flat,” the high This determines the delay time of the. Delay1.This makes it When setting to BPM, press PARAMETER This sets the frequency at which the high cut This determines the delay time of the. Delay2. RangeDelay pedal. (This is set to Number 3 pedal when LEVEL knob.This makes Adjusts the amount of feedback of the.alisawedding.com/upload/users/files/case-446-service-manual-pdf This sets the frequency at which the high cut Adjusts how rapidly the warped delay Adjusts the feedback level of the warped de-Adjusts the volume of the warped delay Adjusts the modulation rate of the delay Adjusts the modulation depth of the delay RangeFunction)” (p. 54). Switch Function)” (p. 54). CTL 1, 2 Function)” (p. 55). Controllers (Assign Variable)” (p. 57)RangeAdjusts the rate of the chorus effect. This makes Adjusts the time needed for the effect sound This sets the frequency at which the low cut This sets the frequency at which the high cut When “Flat” is selected, the You can switch it to a RangeThis selects the reverb type. Various differ-Rather than Provides warm rever-Provides clear and spa-Provides warm rever-Adjusts the time until the reverb sound ap-This sets the frequency at which the low cut This sets the frequency at which the high cut When “Flat” is selected, the RangeThis selects whether the compressor or lim-Adjusts the range (time) over which low-Larger values will Adjusts the strength of the picking attack Adjust this as appropriate for the input sig-Adjusts the time from when the signal level RangeRangeYou can also use it as a RangeAdjusts the range (time) over which low-Larger values will Adjusts the strength of the picking attack. Larger values will result in a sharper attack, RangeAdjusts the strength of the picking attack Adjust this as appropriate for the input sig-Adjusts the time from when the signal level RangeSelects the direction in which the filter will Adjusts the sensitivity at which the filter With a setting of Adjusts the center frequency of the Wah ef-Adjusts the way in which the wah effect ap-With a value of “50” a standard wah sound will be produced.RangeAdjusts the center frequency of the Wah ef-Adjusts the way in which the wah effect ap-Adjusts the frequency of the auto wah.This makes RangeRangeAdjusts the tone for the low frequency Adjusts the tone for the High frequency This adjusts the strength of the low-end and Resonator 1, 2, or 3.RangeAdjusts the tone for the low frequency Adjusts the tone for the High frequency Adjusts the way the body sounds when RangeAdjusts the frequency (speed) of the change.This makes RangeRangeSelects the number of stages that the phaser A light phaser ef-fect is obtained.It is a popular phaser effect.A deep phase effect is obtained.This sets the rate of the phaser effect.This makes Adjusts the center frequency of the phaser Determines the amount of resonance (feed-This sets the cycle of the step function that Set this to This makes RangeThis sets the rate of the flanging effect.This makes Adjusts the center frequency at which to ap-Determines the amount of resonance (feed-Adjusts the diffusion. The diffusion increas-This sets the frequency at which the low cut RangeAdjusts the frequency (speed) of the change.This makes RangeAdjusts the rate of the vibrato.This makes This sets the time passing from the moment RangeAdjusts the rate of the Uni-V effect.This makes RangeThis selects the mode for the ring modula-So, you must use single notes, not Adjusts the frequency of the internal oscilla-RangeAdjusts the time needed for the volume to RangeAdjusts the amount of blurring between the This controls the input sensitivity of the de-Adds a characteristically resonant quality to RangeThis adjusts the undulation of the reso-Adjusts the amount of characteristic buzz RangeSelect either oscillator “OSC” or natural When OSC is selected, the effect is activated after a single note is A feedback effect is created when the Adjusts the volume of the one octave higher Adjusts the rate of the vibrato when the This makes Adjusts the depth of the vibrato when the RangeSet the fixed frequency point at which feed-Adjusts the degree of the anti-feedback at RangeRandomWhen it is set to a higher value, the effect of the humanizer can be ob-Adjusts the cycle for changing the two vow-This makes This determines the point where the two RangeSelect the slice pattern that will be used to Adjust the rate at which the sound will be This makes RangeA parametric type is RangeAdjusts the frequency where the harmonics This adjusts the amount of resonance (and This adjusts the amount of filtering applied This sets the time needed for the filter to fin-RangeThis sets the frequency at which the low cut Specify the center of the frequency range Adjusts the width of the area affected by the. EQ centered at the “Low-Middle Frequen-Adjusts the “Low-Middle Frequency” range Specify the center of the frequency range Adjusts the width of the area affected by the. EQ centered at the “High-Middle Frequen-Adjusts the “High-Middle Frequency” This sets the frequency at which the high cut When it is set to “Flat,” the high RangeRangeThis makes Adjusts the feedback amount of the har-Specify the key of the song you are playing. By specifying the key, you can create har-RangeVALUE dial to select a setting from “Scale 1-29.”You can also play RangeMonoThe response is Use this setting when you want to achieve a pedal bend effect with Adjusts the amount of pitch shift (the This makes Adjusts the feedback amount of the pitch Function)” (p. 54)RangeThis sets the pitch at the point where the ex-This sets the pitch at the point where the ex-RangeThis selects the pitch range for the input Adjusts the volume of the sound one octave RangeThis parameter changes the simulated This parameter adjusts the speed of rotation This parameter adjusts the speed of rotation This makes it easier to achieve effect sound This parameter adjusts the time it takes for This parameter adjusts the time it takes for This parameter adjusts the amount of depth This can be used to easily play RangeAdjust the speed of the chorus effect for the This makes it When setting to BPM, press PARAMETER Adjust the depth of the chorus effect for the Adjust the time from when the low frequen-Adjust the volume of the low frequency Adjust the speed of the chorus effect for the This makes it When setting to BPM, press PARAMETER Adjust the depth of the chorus effect for the Adjust the time from when the high fre-Adjust the volume of the high frequency RangeIf “Loop” is turned “On,” the phrase will be Adjusts the speed of the phrase.This makes No retriggering occurs when the value is set to “0.”. Select the key of the song that you wish to By adding an attack to each note of the You can also play You can also play on the RangeBowIt gives a quick sound rise and send the sound It outputs a soft sound without attack.This switches on or off the chromatic func-This gives breadth or fatness to the sound by Adjusts the frequency where the harmonics Adjusts how much of the harmonics con-This sets the time needed for the filter to fin-Adjusts the time needed for a synthesizer When it is set to “Decay,” the This adjusts the amount of the volume When it is set to “0,” no volume change is The hold function can sustain the output of RangeAdjusts the volume of the synthesizer RangeBright, PowerSpecifies the frequency range to be adjusted Adjusts the balance in the extended upper RangeA parametric type equalizer is used RangeAdjusts how rapidly the Sound Hold sound RangeAdjusts the delay time.This makes Adjusts the volume that is returned to the RangeThis sets the frequency at which the low cut Specify the center of the frequency range Adjusts the width of the area affected by the. EQ centered at the “Lo-Middle frequency.”. Higher values will narrow the area.Adjusts the low-middle frequency range Specify the center of the frequency range Adjusts the width of the area affected by the. EQ centered at the “Hi-Middle frequency.”. Higher values will narrow the area.Adjusts the high-middle frequency range This sets the frequency at which the high cut When “Flat” is selected, the SEND and RETURN jacks and use it as part of the GT-8’s RangeBranch OutRETURN jack to the circuit post-LOOP. Use this when you want to Use this when you want to mix The input from the RE-. TURN jack is disregarded. For example, using this with the GT-8’s Adjusts the volume of the output to the ex-Adjusts the volume of the input from the ex-This setup will prevent an Usually, this is controlled to RangeAdjust this parameter as appropriate for the If the noise Adjust this value until the Adjusts the time from when the noise sup-FV OutDetect.RangeRangeTo enable setting of the Master BPM, set RangeFastPedal Function (p. 54) to “Master BPM (Tap).”Steps 2 and 3.Write procedure (p. 22) to save it to a User patch.With effects appearing to the You’ll probably want to take Write procedure (p. 22) to save it to a User patch.CTL pedal and EXP pedal or when controlling effects using. MIDI messages or other external messages. For more GT-8 and External Controllers (Assign Variable)” (p. 57).Same Functions Assigned at All TimesFunction)” (p. 54)Function)” (p. 54)Function)” (p. 54)Same Functions Assigned at All TimesPedal Function)” (p. 56)Individual PatchesFunctions to Individual PatchesEXP pedal switch) as well as external controllers (foot switch MIDI devices.VARIABLE,” set the following settings to “Assignable” Pedal (CTL Pedal Function)Pedal Switch (EXP Switch Function)SW Func” (EXP pedal switch) is displayed.Pedal (EXP Pedal Function)Foot Switches (Sub CTL 1, 2 Function)Subcontroller 2.Subcontroller 1 and the foot switch connected to the red-ringed Pedal Bend (p. 45) is switched on, the EXP EXP Pedal (Sub EXP Pedal Function)CTRL1,2 (p. 55), and Sub EXP Pedal (p. 56) settings to External Controllers (Assign Variable)EXP pedal and the EXP pedal switch) and external CTRL1,2 (p. 55), and Sub EXP Pedal (p. 56) settings to RangeSwitch setting on and off. When this is switched off, “CTL PDL” and EXP pedal switch.RangeEXP Pedal setting on and off.Sets the volume level when the pedal is Sets the volume level when the pedal is fully Step 4 are maintained as is and carried over to the Quick. Settings for the next effect.Patch NamePatch NameStep 6 are maintained as is and carried over to the next Possible assignments for the Target MaxTarget MinDepressReleaseTarget MaxTarget MinEXP pedal:Set the sen-Target MaxTarget MinThis function assigns specified parameters to a virtual EXP MaxMinLoHiAct.Range. Hi. RangeThis sets the trigger that activates the virtual. EXP pedal.It does not start working until the pedal is depressed as deeply as up It does not start working until the pedal is depressed deep down.