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bose t1 manualeRefer to the Quick Setup Guide and connect your T1 to your L1 system. No part of this work may be reproduced, modified, distributed or otherwise used without prior written permission. Keep these instructions. 14. Refer all servicing to qualified service personnel. Heed all warnings. Using proprietary ToneMatch presets and associated zEQ tonal adjustments, the T1 enables you to preserve the natural sound of instruments or vocal microphones when amplified. Failure to do so will not affect your warranty rights. The cover is designed to protect the control panel while transporting or storing the audio engine. To remove the cover: Press and hold the cover latch release button (Figure 5). The optional microphone stand mounting bracket allows you to mount the T1 on the shaft of most microphone stands. For installation help, refer to the Quick Setup Guide that came with the bracket. The bracket uses rotatable inserts which, when properly placed, provide a tight fit on the microphone stand shaft. The cutouts on the edge of the Microphone Stand Bracket Quick Setup Guide can help you determine the diameter. Remove the inserts (Figure 8 on page 9) from the bracket and re-insert them for the diameter you need. When connected to a computer, you also can use the T1 as a general-purpose USB audio device for recording and playback. Optimizing input gain and output volume Getting a quality volume level from your system relies on the combined adjustments of input channel gain, master volume, and channel volume. Do the following for each channel used. Make sure the Master volume, Trim, and channel volume controls are set to 0. During normal operation, it is recommended to keep the Master control set at the 12 o’clock position. Once you have set volume levels for all channels, you can adjust the Master volume up or down from this position. Figure 15 provides a summary of the three global functions and the nine channel-related functions.http://servingltda.com/userfiles/bosch-wtl-6300-user-manual.xml

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The follow- ing pages describe how to adjust each function. CH 1 ToneMatch(tm) CH 1 ToneMatch(tm) Vocal Mics Vocal Mics Handheld Mics Headworn Handheld Mics Handheld Mics. KickGate 1: Regular.Gate featuring a preset attack time, and variable threshold and tightness (release time) parameters.Speed Type Depth To bypass the Mod settings, press the Type button. Press it again to activate. Note: Chorus1 Rotate the Type button to access the list of modulator types and highlight your. For Chorus1-3 and Flanger1-2: Rotate the Mix button to adjust the desired mix of dry signal to wet signal (modulator-processed). To select the type of reverb, see “Selecting a type of reverb” on page 27. Bright To bypass the Reverb effects, press the Mix button. The display indicates the note being played at the bottom of the screen. As you tune, a pitch indicator appears on the display, showing you whether the note is sharp or flat. Creates the ambience of a large-sized space. Works well with guitars, horns, percussion instruments, and vocals. Cavern.Creates the ambience of an extremely large space.Versions Preferences DSP Firmware: 1.0 Bose Presets: 1.0. You can update these scenes by writing over them as many times as you want. The currently loaded scene is displayed. Press Select, or press Cancel to exit the list. The display returns to the Scenes screen if you do not Note: My Scene 01. The other T1 user can upload the scene to their T1 using the L1 updater.Saving a scene as a Shared Scene always over- Note: writes the previously saved Shared Scene.After loading a Bose scene, you can modify the settings and then save the settings as a My Scene or Shared Scene. Figure 18 Example setup for Drums and Bass. Figure 19 Example setup for The Works. Details of the warranty are pro- vided with your product. Failure to do so will not affect your warranty rights. Try operating a lamp or other equipment from the same AC outlet or switch is on, but no power.http://mamitobe.ru/files/bosch-wtl5200-user-manual.xml If LED is red, please call Bose Live Music Customer Support at (877) 335-2673 for assistance. Ask your question here. Provide a clear and comprehensive description of the issue and your question. The more detail you provide for your issue and question, the easier it will be for other Bose T1 ToneMatch owners to properly answer your question. Ask a question This manual comes under the category Mixers and has been rated by 1 people with an average of a 9.5. This manual is available in the following languages: English. Do you have a question about the Bose T1 ToneMatch or do you need help. Ask your question here Bose T1 ToneMatch specifications Brand Dust in hard-to-reach places is best removed with compressed air. ManualSearcher.com ensures that you will find the manual you are looking for in no time. Our database contains more than 1 million PDF manuals from more than 10,000 brands. Every day we add the latest manuals so that you will always find the product you are looking for. It's very simple: just type the brand name and the type of product in the search bar and you can instantly view the manual of your choice online for free. ManualSearcher. com If you continue to use this site we will assume that you are happy with it. Read more Ok. Rotate the T1 rotary selector to 6. Delay: Add a delay (see “Adding delays” on page 25).It will help you set up and operate your system properly and enjoy its advanced features. Please save this owner’s guide for future reference. TM The T1 power supply and the T1 ToneMatch audio enThe optional T1 ToneMatch audio engine power suppKeep all packing materials for possible future use. WARNING: To avoid danger of suffocation, keep the plastic bags out of the reach of children. Figure 4 Parts list TM T1 ToneMatch audio engine Cover Carrying case TM ToneMatch cable Carriage Mounting bar Serial numbers and proTo remove the cover: 1. Press and hold the cover latch release button (Figure 5). 2.http://fscl.ru/content/3m-mp8775i-manual Slide the cover off the control panel just enough to disengage the alignment tabs. 3. Lift up on the front eFor installation help, refer to the Quick Setup Guide that came with the bracket. The bracket uses rotatable inserts which, when properly placed, provide a tight fit on the microphone stand shaft. Figure 8 shows insert placements for some commoThe cutouts on the edge of the Microphone Stand Bracket Quick Setup Guide can help you determine the diameter. 2. Remove the inserts (Figure 8 on page 9) from the bracket and re-insert them for the diameter you need. 3. Attach the microphone stand bracket to the microphone stand (Figure 9). 4. Attach the mountinPlug the other end of the TM TM ToneMatch cable into the ToneMatch port on the power stand. 3. Turn on the T1 audio engine and then turn on the L1 model II powThe R1 remote con- trol should be disconnected so that t. Inch Tip-Ring-Sleeve (balanced) Inch Tip-Ring-Sleeve (balanced) Inch Tip-Sleeve (unbalanced) Inch Tip-Ring-Sleeve (balanced) Inch Tip-Sleeve (unbalanced) The exact position of the Trim will vary depending on signal strength of your input source. The correct setting for any particular source may be different from your other sources. Sing as loudly as you will sing during your performance. You want to set the Trim to work at your maximum volume. Use the Trim lights as your guide. (The exact position of the Trim knob is not important).You are definitely nearing or in compression. Turn the Trim down until there are no red flickers. It lights up green when a signal is present, yellow when you are getting pretty loud (8 to 10 dB of headroom left), and red when you dangerously close to or at full scale. Some yellow during peaks is good on the T1, just like some red on the Classic is good. This increase in gain is normal operation. Certain sources like passive acoustic guitar pickups require additional gain and in these cases it can be necessary to set the trim level to the upper range of the control.http://www.friendshiptransport.net/images/bose-t1-manuale.pdf When the trim control is set this high you may notice the gain change. This is normal operation. If you want to run the trim control at lower settings we recommend using a preamp or simple stomp box level booster.Input impedance on Channels 1,2,3 is about 1 MOhm. Channels 4 and 5 have an input impedance of about 10 kOhm. For example, stepping on or simply moving a cable changes its capacitance which creates clearly audible artifacts with a very high input impedance. This is in unlike the L1 Model I or L1 Classic ) Power Stand where a pad is recommended for line-level inputs. You can even use the Model 1 without the remote. More on this later.See the note above. You can even use the Model 1 without the remote. There is no perceivable lag.The only exception is the reverb, which is shared by all channels. That means if you turn up the AUX of channel, you expect to hear signals from channel 1 and only from channel 1. However, the output of the reverb processor contains the reverb portions of all 4 channels. If we add that to the Aux, you'd hear the reverb portions of all 4 channels and not only the channel that you are interested in. In most cases, this is probably not what you want. You can only route to an AUX output effects that are specific to a channel (normally these would be connected to the insert loop of this channel).If it not, you will need a ToneMatch Power Supply to run the T1 ToneMatch Audio Engine. Occasional flickers of red are okay. If you see solid red or you hear distortion, turn down the volume. This is a better match for the signal level. They'll both get the job done, although the volume control setting will be lower with the XLR connection. That doesn't indicate more headroom. The maximum usable volume is the same either way.This may also work with headphones but the volume will be very low and likely not loud enough to be heard over live stage volume. This might not be an issue for headphones as the Left and Right signals are not combined.http://drvision.org/wp-content/plugins/formcraft/file-upload/server/content/files/1626c5c6cd9c59---canon-mvx35i-user-manual.pdf This may also work with headphones but the volume will be very low and likely not loud enough to be heard over live stage volume. This might not be an issue for headphones as the Left and Right signals are not combined. Inch Tip-Ring-Sleeve (balanced) Inch Tip-Ring-Sleeve (balanced) Inch Tip-Sleeve (unbalanced) You can turn it up higher, but if you see the light on the Compact solid red (flickers of red are okay) or you hear distortion, turn down the volume on the Compact. Occasional flickers of red are okay. If you see solid red or you hear distortion, turn down the volume. Not the least factor is that a lot depends on personal taste and preference. We've evaluated effect processors that are popular for live performance and used that to guide our own development. We've also tried to limit the complexity of the user interface, i.e. we provide only the most useful parameters for a certain effect and have pre-tuned the more esoteric ones.The processing chip we use operates in 32-bit floating point and has a peak performance of about 2 billion operations per second (2 GFlops). That is a lot more than can be found in typical processors of this type.This is equivalent of having pretty much 4 multi-effects processors at the same time. This enables the user to fine tune and tweak the effects settings for each individual instruments without having to compromise between channels.Press it again to activate.Works well as a general-purpose compressor for most instruments and microphones that require minimal level control. Works well with basses, guitars, keyboards, and vocals requiring subtle level control. Works well with very loud instruments, such as drums, to prevent signal peaks from overloading the channel. Designed to reduce sibilance on vocals. Well-suited for eliminating unwanted noise from microphones and instruments. Select this setting if you are using a double bass drum pedal. This display helps in setting the threshold.5571818.com/userfiles/files/canadian-hockey-association-coach-level-manual.pdf I'll start out by saying compression is a huge topic and there isn't necessary a best setting, though there can definitely be wrong settings.A more negative number will result in more compression. The closer the Threshold number is to 0 (which is the top of the scale in digital terms), the less compression there will be.Roughly, each hash mark is about 2 dB of reduction. (No metering would indicate no compression, which means the signal is below the Threshold setting.)This would then mean that for the softer and mid-volume parts, there may be no compression happening at all. That's perfectly fine and probably desired. When tuning the compressors I relied much more by ear to determine the settings than by numerical values.Slower times need more fine tuning and are more prone to artifacts when used heavily.Careful adjustment of this is super important. You need to make sure you are compressing the parts of the instrument that you want to compress (peaks, 20 of the time, 100 of the time etc.)For most signal sources, this should not be a limitation as most of the applications where you would use these effects are mutually exclusive. You can only choose one function within the family of the effect.If you wanted to hear how a particular reverb sounded you could turn it on and off, on and off. And so on. Most effects have this valuable feature.This can be Tip-Sleeve or Tip-Ring-Sleeve connectors. You may have to adjust this, but 3 is a good place to start. Inch Tip-Ring-Sleeve (balanced) Inch Tip-Sleeve (unbalanced) I'll try not to go into horribly boring detail. Here are a couple of the many factors that dictate the differences. Different designs are more suited to the levels needed than others. There are four channels in a tighter space in the T1 ToneMatch Audio Engine. Again, certain designs lend themselves to be better at this than others. It fits our needs better for this design situation. The preamp design itself is not necessarily any better or worse.http://www.nbrownies.com.br/wp-content/plugins/formcraft/file-upload/server/content/files/1626c5c766a070---canon-mvx3i-manual.pdfCan't measure one either. This means that these are post-trim, and nothing else (e.g. Muting) has any effect on the signal at the preamp outs. The tuner needs a good strong signal (at least solid green) to lock on to. Any modulation effects will mess things up. The T1 tuner is fairly 'fast' in terms of tracking speed. For example, typically, Boss tuners have more 'averaging' and slower tracking speed. The needle moves up to the note you are tuning slower, but is more stable once you get up there. Another example - Peterson tuners generally track faster. They go up very fast to the note, and move around more once you get up there - this is because the instrument is actually slightly varying pitch. The tuner is tracking this behavior correctly. Both Peterson and Boss make awesome, super accurate tuners, it's just like the difference between a Strat and a Les Paul.or a Porshe and a Benz. It took me a little while to become accustomed to bench tuning my basses with a Peterson strobe tuner after using a Boss for a few years. That's right between an A and a B-flat. We try to put many useful controls directly at your finger tips so you can operate them while your playing or between songs. This basic idea has also influenced how we've implemented USB audio streaming.You can play and record audio just like with any other soundcard, i.e. if you use for example Windows Media Player to play a song, the audio will be routed via USB to the T1 ToneMatch Audio Engine.You can select what you want to send. For example you can make a little submix on the AUX bus and record that with for example Windows Sound Recorder or Audacity.Press the middle button Left to change the routing of the Left channel That's fairly rugged but also not particularly fast, so processing sounds in real time on the PC and sending back to the T1 may or may not work depending how the computer is configured, what operating system is running, and what other processes are going on at the same time.https://clearlakesd.org/wp-content/plugins/formcraft/file-upload/server/content/files/1626c5c807d194---canon-mvx3i-user-manual.pdfThat means you cannot connect an MP3 player directly to the T1 digitally.Sound cards, including the T1, depend upon 'drivers' to do what they do. ASIO usually results in the lowest amount of round-trip latency (all things being equal) because, unlike the others, it bypasses the operating system (e.g. Windows) kernel. I got the best results (lowest latency, fewest dropouts, etc.) using ASIO4all. Given the zillions of variables among hardware configs, operating systems, etc., your mileage may vary. Their value, in my experience, is commensurate with their price tag. The controllees cannot communicate with each other.Adjust the effected channel volume to get the desired blend of dry vocal to effected vocal.The downsides are that most ethernet cables don't coil particularly well and that the connectors wear out over time. After a a few hundred uses you may notice the occasional drop out, at which point it's time to get a new one. Success at distances longer than that would start to depend on outside factors, for instance the voltage of your power source. This method would be able to transmit over a hundred feet, perhaps much more. Inch Tip-Ring-Sleeve (balanced) This is very similar to a laptop power supply. The bevel should run down, facing you. This will help keep it secure on the bracket and help to keep it from hitting the floor if it becomes dislodged from the bracket. The bevel should run down, facing you.It locks into place. I do it this way because I have all my cables strapped to the microphone stand (I don't take them off between gigs). So there's no hanging stress from those either. I leave the cables attached all the time. This saves a great deal of time during setup and teardown. Normally they don't stand out like this visually.So this might lead you to conclude that a ToneMatch preset shouldn't be used with other systems.The L1 system is voiced to make high quality commercial recordings sound the best we know how.3dtechgroup.com/uploads/image/files/canadian-helicopter-training-manual.pdf Some studio systems are voiced the same way, as they are where those recordings were mixed.Generally, folks have reported the presets work well - so I think you will be fine with them. If the presets are not working, you can always go Flat using the Acoustic Guitar zEQ for adjustments (last preset in the Acoustic Guitar bank). And you'll still have all of the effects and tools in the T1 at your disposal.You will not need this unless your microphone requires phantom power.Most dynamic microphones will not require you to use a phantom power supply. A: Should be no problem.This will not sound odd, and there will be no interaction between the channels because the sound from the left and right transducers (headphones) are not mixing in the air.More care by more experienced people went into this than anything I've been involved in. As one tiny but important example, a propriety light pipe was designed so that the light from volume knob indicators smoothly wrapped around the knob from top to side, giving the musician a clear indication of volume from any angle. The color and intensity of the light was carefully designed so that it was visible in an extraordinarily wide range of stage lighting conditions. Over 100 presets are organized into quick-access banks and can be independently assigned to each channel. Free ongoing updates can be downloaded via a USB connection between your computer and the ToneMatch audio engine. Accepts the included ToneMatch cable Can be configured for a pre- or post-master volume analog output.Can be configured for a pre-fader, post-EQ, and effects or post fader output. Can be used for stereo input signals. Please do not offer the downloaded file for sell only use it for personal usage. Looking for other manual? For this no need registration. May be help you to repair. You could suffer a fatal electrical shock. Instead, contact your nearest service center. Note! To open downloaded files you need acrobat reader or similar pdf reader program. In addition, Also some files are djvu so you need djvu viewer to open them. These free programs can be found on this page: needed progs If you use opera you have to disable opera turbo function to download file. If you cannot download this file, try it with CHROME or FIREFOX browser. Basszus vegfoka 2-3mp mulva megfut vagy pozitivba vagy negativba ha nincs a hangszoro rarakva, hangszoroval azonnal letilt, (amikor a kimeneten eljut DC 4V-ig a vedelem lekapcsolja relevel az erositot). Mikor a MUTE hibat kerestem, volt olyan eset is, hogy nem futott meg a kimenet es szolt a basszus rendesen, de ujboli bekapcsolaskor ha nem halkitottam le a potit akkor kikapcsolt a rele, ha lehalkitottam akkor jo lett, de nagyon susogott, arra hasonlitott mint amikor FM radio nincs az allomason, van egy kozos mute tranzisztor az kapcsolja az osszes tobbit, ha azt kiszedtem akkor is megmaradt a susogas, szerintem visszafele jott valamelyik oldalrol ezert szedtem ki mindegyik oldalrol a tranzisztorokat, nem akartam bajlodni vele, hogy honnet jon a susosgas vissza. Mi lehet a gond? Bose Sounddock 1 tapegyseg csati Sziasztok. Egy baratom megkert, hogy talaljak vagy gyartsak egy tapegyseget a Bose dokkolojahoz. Sajnos az eredetiket aranyarban adjak, igy gyartanom kell egyet. Talatam is egy elegans kis 4 pines csatit, de fennakadtam az eredeti csatlakozo labkiosztasan. Talaltam egy rajzot de nem tudom eldonteni, hogy a kabelen levot abrazolja, vagy a dokkoloban levot. Ha valakinek dolga volt ilyennel, es tudna segiteni, kerem ne tartsa vissza magat. Koszonom.. Bose Lifestyle CD-20 FLC kijelzo halvany Sziasztok! A fenti keszuleknek halvany a kijelzese. Eleg erdekesen van megoldva a kijelzo tapfesze, sokban fugg a bejovo 12VAC feszultsegtol. Kerdesem az lenne, hogy a futest probaljam emelni, vagy a -24V-ot. A D8-on a 30V is kevesebb, de az AC 4.5V is. Melyik befolyasolja jobban a fenyerot. A futes, vagy a negativ tapfesz? Udv: Jacint BOSE bekotesi rajz Legyszi legyszi ha valaki tudnasegiteni egy BOSE AMP2440-as erosito bekoteseben,azt nagyon szepen megkoszonem. Ez AUDI A3-asbol van, a steker nincsmeg. Similar manuals: You can write in English language into the forum (not only in Hungarian). Right EarBud will auto enter pairing mode(connectable to cellphone) when the LED on the left one turn off.Then right EarBud will auto enter pairing mode(LED blinks red and blue) when LED on left EarBud turn off. On cellphone, search for QU-T1 ProR and tap to connect both EarBuds with cellphone. Notes: if two EarBuds failto pairMth each other in 20s, they will enter pairing mode(connectable to cellphone). Once topped-up, all of them will glow solid white for 5s. Post in the comments. Med vores cookies tilbyder vi dig den reneste shopping oplevelse muligt med alt der horer til. Det inkluderer, passende tilbud og lagring af pr?ferencer. Hvis dette er okay med dig skal du blot klikke ”accept” at du godkender vores brug af cookies til dine gemte pr?ferencer og statistik og marketing ( vis alle ). Du kan se og redigere yderlige detaljer og indstillinger her. Accepter Foraer, apps, blogs og meget mere. Alt sammen skr?ddersyet specielt til musikere. Luk Service Kontakt Hj?lp Information om forsendelse 292 DKK Put i indkobskurven 9 kobte Bose Tone Match Carrying Case 598 DKK 5 kobte Swissonic Basic Router 295 DKK 1 kobte Swissonic Professional Router 2 1.469 DKK Vores mest popul?re Tilbehor til mixere Heraf har 30kunder ikke skrevet en tekst eller givet feedback pa et andet sprog. 4 10 Kunder 10 kunder har bedomt dette produkt med 4 stjerner. Heraf har 10kunder ikke skrevet en tekst eller givet feedback pa et andet sprog. 3 1 Kunde En kunde har bedomt dette produkt med 3 stjerner. En kunde har ikke afgivet nogen tekst eller har skrevet teksten pa et andet sprog. 2 1 2 Kunder 2 kunder har bedomt dette produkt med 1 stjerne. Tysk (8) Engelsk (5) Fransk (5) Polsk (1) Automatisk oversat ( Vis original ) Original anmeldelse ( Vis overs?ttelse ) Der opstod en fejl. Synes du at denne vurdering er forkert eller af en anden grund ikke l?selig ? V?r venlig at skrive i det folgende kommentarfelt hvorfor og hvis muligt din email-adresse, sa vi kan give dig en tilbage melding til din kommentar.Prov igen senere. I alt forarbejdning Great! Neil G., 08.03.2015 A very useful product as Ive ordered the Bose L1 compact and couldn't use tone match mixer without this. Good, robust quality. Thank you too Thomann also for exceelnt customer service. Synes du at denne vurdering er forkert eller af en anden grund ikke l?selig ? V?r venlig at skrive i det folgende kommentarfelt hvorfor og hvis muligt din email-adresse, sa vi kan give dig en tilbage melding til din kommentar.Information om forsendelse Vi loser problemet snarest muligt. afsend. El manual Bose T1 es del fabricante, la empresa Bose - es un documento oficial y si tienes alguna duda acerca de su contenido, contacta directamente con el fabricante del dispositivo Bose T1. El manual Bose T1 se puede ver directamente online o guardar y almacenar en tu ordenador.For convenient When used with the L1 model II system, the T1 operates on DC power received from. Fare clic qui per maggiori informazioni sui tipi di cookie da noi utilizzati e su come modificare le impostazioni sui cookie. Grazie a un potente motore DSP e alle intuitive opzioni di controllo, il T4S offre EQ, dinamica ed effetti con qualita da studio. L'integrazione del processing Bose ToneMatch e di zEQ garantisce un sound ottimo, specialmente quando collegato a un sistema Bose L1 o F1 per il piu completo controllo timbrico. Il robusto T4S consente di ottenere ottimi risultati on stage, grazie ai controlli tattili, al display a LED di facile lettura e ai richiami di scenari. Il T4S e uno strumento essenziale per gli artisti. Scegli tra innumerevoli opzioni con EQ, dinamica ed effetti indipendenti dal canale. Ottieni un sound perfetto in modo rapido con il processing ToneMatch di Bose per un sound piu naturale di voci e strumenti, mentre zEQ focalizza la tua timbrica per un efficace regolazione al volo. Quando utilizzato con i sistemi Bose L1 ed F1, il mixer T4S consente un'ottimizzazione timbrica completa end-to-end. Regola le impostazioni all'istante con un'interfaccia intuitiva. Funzionalita aggiuntive come il tap tempo delay, l'accordatore cromatico incorporato e scenari richiamabili lo rendono subito pronto all’uso. Il mixer T4S e l'alleato ideale per gli artisti. Quattro canali principali offrono preamplificatori audio di alta qualita con jack combo XLR destinati a microfoni o strumenti e phantom power selezionabile.Un inserto sul lato inferiore consente di utilizzare gli accessori di fissaggio piu comuni e tenere cosi il mixer T4S a portata di mano. Grazie ai potenti motori DSP e alle intuitive opzioni di controllo, offrono EQ, dinamica ed elaborazione degli effetti di qualita da studio. Questi robusti mixer ToneMatch consentono performance convincenti, grazie ai controlli tattili, ai display a LED di facile lettura e al richiamo di scenari. I mixer ToneMatch sono i compagni di palco definitivi per la performance degli artisti. Scegli tra innumerevoli opzioni con EQ, dinamica ed effetti indipendenti dal canale. Quando utilizzato con i sistemi Bose L1 ed F1, il mixer T4S consente un'ottimizzazione timbrica completa end-to-end. Live Streaming semplificato Il mixer Bose ToneMatch T4S e l'interfaccia audio perfetta per lo streaming live dei tuoi eventi su piattaforme come Facebook e Instagram Live. Grazie all'interfaccia USB integrata, e facile connetterlo a un Mac o un PC. Puoi quindi utilizzare preamplificatori microfonici, phantom power, EQ, dinamica ed effetti con qualita da studio per ottenere il pieno controllo del suono e dare vita al tuo streaming live. Controllo ottimale in tempo reale T4S ti aiuta a dare il meglio grazie a indicatori e controlli tattili luminosi che consentono di regolare il sound in modo piu intuitivo anche su palchi scarsamente illuminati. Regola le impostazioni all'istante con un'interfaccia intuitiva. Il mixer T4S e l'alleato ideale per gli artisti. Connettivita ad alta densita Il mixer stereo T4S offre connettivita e possibilita di controllo impareggiabili per un sistema cosi compatto. Quattro canali principali offrono preamplificatori audio di alta qualita con jack combo XLR destinati a microfoni o strumenti e phantom power selezionabile. Un inserto sul lato inferiore consente di utilizzare gli accessori di fissaggio piu comuni e tenere cosi il mixer T4S a portata di mano. Il T8S include inoltre un VU meter in uscita per monitorare visivamente il livello in uscita. Il T4S puo essere alimentato da e inviare audio digitale a sistemi L1 Model II o L1 Model 1S, se si utilizza il cavo ToneMatch in dotazione. Il T8S viene fornito di serie con un alimentatore universale ed e privo di link ToneMatch. I preset ToneMatch sono disponibili per ciascun canale e consentono istantaneamente di avvicinarsi al vero suono della tua voce e dei tuoi strumenti, con la semplicita di un tocco. Quando selezioni un preset ToneMatch proprietario per il tuo microfono o strumento, stai sfruttando una potente tecnologia che solo Bose e in grado di offrirti. La tecnologia proprietaria zEQ regola automaticamente il range di questi controlli di tono per la perfetta corrispondenza al range della tua voce o del tuo strumento.Nota: cio vale per il solo T4S, che richiede un alimentatore accessorio ToneMatch solo se non impiegato con un sistema L1; il T8S invece deve essere sempre utilizzato con un alimentatore. Se l'indicatore lampeggia in rosso o diventa rosso fisso, ruota il controllo Trim in senso antiorario per diminuire il livello, finche l'indicatore non rimane quasi sempre verde.