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bose l1 tonematch manualRefer to the Quick Setup Guide and connect your T1 to your L1 system. No part of this work may be reproduced, modified, distributed or otherwise used without prior written permission. Keep these instructions. 14. Refer all servicing to qualified service personnel. Heed all warnings. Using proprietary ToneMatch presets and associated zEQ tonal adjustments, the T1 enables you to preserve the natural sound of instruments or vocal microphones when amplified. Failure to do so will not affect your warranty rights. The cover is designed to protect the control panel while transporting or storing the audio engine. To remove the cover: Press and hold the cover latch release button (Figure 5). The optional microphone stand mounting bracket allows you to mount the T1 on the shaft of most microphone stands. For installation help, refer to the Quick Setup Guide that came with the bracket. The bracket uses rotatable inserts which, when properly placed, provide a tight fit on the microphone stand shaft. The cutouts on the edge of the Microphone Stand Bracket Quick Setup Guide can help you determine the diameter. Remove the inserts (Figure 8 on page 9) from the bracket and re-insert them for the diameter you need. When connected to a computer, you also can use the T1 as a general-purpose USB audio device for recording and playback. Optimizing input gain and output volume Getting a quality volume level from your system relies on the combined adjustments of input channel gain, master volume, and channel volume. Do the following for each channel used. Make sure the Master volume, Trim, and channel volume controls are set to 0. During normal operation, it is recommended to keep the Master control set at the 12 o’clock position. Once you have set volume levels for all channels, you can adjust the Master volume up or down from this position. Figure 15 provides a summary of the three global functions and the nine channel-related functions.http://tsukanov-art-collection.ru/pict/bosch-shu5315uc-manual.xml

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The follow- ing pages describe how to adjust each function. CH 1 ToneMatch(tm) CH 1 ToneMatch(tm) Vocal Mics Vocal Mics Handheld Mics Headworn Handheld Mics Handheld Mics. KickGate 1: Regular.Gate featuring a preset attack time, and variable threshold and tightness (release time) parameters.Speed Type Depth To bypass the Mod settings, press the Type button. Press it again to activate. Note: Chorus1 Rotate the Type button to access the list of modulator types and highlight your. For Chorus1-3 and Flanger1-2: Rotate the Mix button to adjust the desired mix of dry signal to wet signal (modulator-processed). To select the type of reverb, see “Selecting a type of reverb” on page 27. Bright To bypass the Reverb effects, press the Mix button. The display indicates the note being played at the bottom of the screen. As you tune, a pitch indicator appears on the display, showing you whether the note is sharp or flat. Creates the ambience of a large-sized space. Works well with guitars, horns, percussion instruments, and vocals. Cavern.Creates the ambience of an extremely large space.Versions Preferences DSP Firmware: 1.0 Bose Presets: 1.0. You can update these scenes by writing over them as many times as you want. The currently loaded scene is displayed. Press Select, or press Cancel to exit the list. The display returns to the Scenes screen if you do not Note: My Scene 01. The other T1 user can upload the scene to their T1 using the L1 updater.Saving a scene as a Shared Scene always over- Note: writes the previously saved Shared Scene.After loading a Bose scene, you can modify the settings and then save the settings as a My Scene or Shared Scene. Figure 18 Example setup for Drums and Bass. Figure 19 Example setup for The Works. Details of the warranty are pro- vided with your product. Failure to do so will not affect your warranty rights. Try operating a lamp or other equipment from the same AC outlet or switch is on, but no power.http://gorod-r.com/userfiles/bosch-shu5315uc-repair-manual.xml If LED is red, please call Bose Live Music Customer Support at (877) 335-2673 for assistance. The principles are still applicable. These originally appeared on the Bose website If you choose a vocal mic, the controls are programmed for vocals, and so on.Most footnotes lead to a link to the original Forum post. Ask your question here. Provide a clear and comprehensive description of the issue and your question. The more detail you provide for your issue and question, the easier it will be for other Bose T1 ToneMatch owners to properly answer your question. Ask a question This manual comes under the category Mixers and has been rated by 1 people with an average of a 9.5. This manual is available in the following languages: English. Do you have a question about the Bose T1 ToneMatch or do you need help. Ask your question here Bose T1 ToneMatch specifications Brand Dust in hard-to-reach places is best removed with compressed air. ManualSearcher.com ensures that you will find the manual you are looking for in no time. Our database contains more than 1 million PDF manuals from more than 10,000 brands. Every day we add the latest manuals so that you will always find the product you are looking for. It's very simple: just type the brand name and the type of product in the search bar and you can instantly view the manual of your choice online for free. ManualSearcher. com If you continue to use this site we will assume that you are happy with it. Read more Ok. The L1 Model II series is Bose's elite system, ideally suited for pro-level sound reinforcement for musicians DJ rigs and more. The L1 Model II Double Bass Package features an integrated mixer amplifier that also serves as the speaker's base. The power stand provides clean, precise amplification for L1 Model II system with up to two B1 bass modules. It is also quite common that customers throw outUser manuals are alsoTry Google Search!http://www.drupalitalia.org/node/78098 Manual - Coles Microphones 4038 Stereo Mount for Studio Ribbon 4038 SM Posted by: Ruth 2020-08-10 18:00:04 Coles 4038 stereo mount. Peavey Peavey Delta Blues 115-Tweed 30 watt Guitar Amp - Peavey Delta Blues 115 Tweed Tube Guitar Amplifier 03327810 Posted by: 2020-08-08 23:50:04 please pdf the manual on this amp. Learn more or change settings here. Engineered with a powerful DSP engine and intuitive user control, the T4S offers studio-quality EQ, dynamics and effects. Sound great with integrated Bose ToneMatch processing and zEQ, especially when connected to a Bose L1 or F1 system for full end-to-end tonal control. Play confidently on stage with the rugged T4S using its tactile controls, easy-to-read LED display and scene recall. The T4S: a true performer’s companion. Never run out of options with channel-independent EQ, dynamics and effects. Get your perfect sound fast with Bose ToneMatch processing for natural-sounding vocals and instruments, while zEQ focuses your tone for effective adjustments on the fly. When used with Bose L1 and F1 systems, the T4S mixer allows full end-to-end optimisation of your sound. Jump into settings with the fast-learning, intuitive control interface. Additional features like tap tempo delay, built-in chromatic tuner and recallable scenes make it easy to be ready to play. The T4S is the ultimate on-stage companion for performing artists. Four main channels feature high-quality audio preamps with XLR-combo jacks for microphones or instruments, and switchable phantom power.A bottom insert allows you to use standard mounting accessories to keep the T4S within reach. Practically useless. I recently bought the new T4S Tonematch mixer and the Reveb effect on it is practically useless. All it gives you is a low hum sound. Engineered with powerful DSP engines and intuitive user controls, they offer studio-quality EQ, dynamics and effects processing.https://www.accessoriperdisabili.com/images/bose-l1-tonematch-manual.pdf Sound great with integrated Bose ToneMatch processing and zEQ, especially when connected to a Bose L1 or F1 system for full end-to-end tonal control. Play confidently on stage with these rugged ToneMatch mixers using tactile controls, easy-to-read LED displays and scene recall. ToneMatch mixers, the ultimate on-stage companions for performing artists. Never run out of options with channel-independent EQ, dynamics and effects. Get your perfect sound fast with Bose ToneMatch processing for natural-sounding vocals and instruments, while zEQ focuses your tone for effective adjustments on the fly. When used with Bose L1 and F1 systems, the T4S mixer allows full end-to-end optimisation of your sound. Easy Live Streaming A Bose T4S ToneMatch mixer is the perfect audio interface for livestreaming your performances on platforms like Facebook and Instagram Live. Connect easily to your Mac or PC with the onboard USB interface. Then use the studio-quality microphone preamps, phantom power, EQ, dynamics and effects to take control of your sound and bring your livestream to life. Seamless Live Control The T4S integrates with your performance using illuminated, tactile controls and indicators for spontaneous sound adjustments, even on dimly lit stages. Jump into settings with the fast-learning, intuitive control interface. Additional features like tap tempo delay, built-in chromatic tuner and recallable scenes make it easy to be ready to play. The T4S is the ultimate on-stage companion for performing artists. High-Density Connectivity For its size, the stereo T4S mixer gives you unprecedented connectivity with control. Four main channels feature high-quality audio preamps with XLR-combo jacks for microphones or instruments, and switchable phantom power.http://www.lavalledesign.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626c027c3c717---car-workshop-manual-download.pdf Convenient Gig-Ready Features Rugged and ready to go, the T4S includes a protective magnetic cover and a ToneMatch cable for connecting directly to a Bose L1 Model II or L1 Model 1S system, providing a convenient single-cable connection for digital audio and power. A bottom insert allows you to use standard mounting accessories to keep the T4S within reach. The T8S also includes an output meter to visually monitor your output level. The T4S can receive power and send digital audio to L1 Model II or L1 Model 1S products when using the included ToneMatch cable. The T8S comes with a universal power supply and does not offer a ToneMatch link. ToneMatch presets are available for each channel and instantly bring you closer to the true sound of your voice or instrument—all at the touch of a button. When you select a proprietary ToneMatch preset for your microphone or instrument, you are tapping into a powerful technology, available only from Bose. Proprietary zEQ automatically shifts the range of these controls so that they correspond directly to the range of your voice or instrument.If the indicator flashes red or glows steady red, turn the trim control anticlockwise to decrease the level until it’s almost always green. Use the rotary encoder to select the global Prefs mode. Press the Menu button to select the menu list, then rotate the Select button to scroll through the list and highlight the ToneMatch description. The T8S Bose scenes are Full Band, String Band, Stereo DJ, Electronic and Factory settings. This setup uses two microphones and either an MP3 player, mixer or laptop PC. Bose Scene 03—Drums and bass Bose Scene 03 is set up for a bass guitar, kick drum and either an MP3 player or a laptop PC. Bose Scene 04—Electric works Bose Scene 04 is designed for electric and acoustic guitars, bass guitar and keyboard. Bose Scene 05—Factory settings This scene restores the T4 mixer to the settings it had when it left the factory.asian-autoparts.com/ckfinder/userfiles/files/compumotor-zeta4-manual.pdf Loading this scene erases any changes you previously made. T8S Bose Scene 01—Full Band Bose Scene 01 is designed for a full trio band with drums, bass, guitar and three vocal mics. Bose Scene 02—String Band Bose Scene 02 is designed for a string band with a hand drum, bass, guitars, mandolin and vocal mics. Bose Scene 03—Stereo DJ Bose Scene 03 is designed for a DJ to run multiple sources in a stereo configuration. It also has four vocal mics for any MCs or announcements. Bose Scene 04—Electronic Bose Scene 04 is designed for an electronic band. It has stereo source input, two stereo keyboard inputs and two vocal mics. Bose Scene 05—Factory settings This scene restores the T8S mixer to the settings it had when it left the factory. Loading this scene erases any changes you previously made. User-defined scenes help achieve consistent sound with minimal configuration. After editing a Bose scene to your preference, you may re-save it as a user-defined scene, allowing you to easily recall it later. This greatly reduces the amount of configuration required. This allows you to share the scene with other members of the user community.The user also enjoys discrete control over designated parameters for each respective channel. Effects Modulation Chorus 1: Brite— Shimmering chorus that works well with acoustic instruments. Includes adjustable mix, depth and speed parameters. Chorus 2: Warm— Like Chorus 1 but with slightly less high frequencies. Includes adjustable mix, depth and speed parameters, and works well with electric guitars and basses. Chorus 3: Dark— Like Chorus 2 but with less high frequencies for a darker tone. Includes adjustable mix, depth and speed parameters, and works well with electric guitars and basses. Flanger 1: Tape— Tape-style flanger with no feedback. Includes adjustable mix, depth and speed parameters, and works well with electric guitars and basses. Flanger 2: Feedback— Same as Flanger 1 but with preset Feedback effect.https://fermuar.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626c028394eb3---car-workshop-manual-online.pdf Phaser 1: Stomp— Classic “stomp box”-style phaser. Phaser 2: Rack— Classic “rack”-style phaser. Phaser 3: Warm— Vintage-style phaser. Phaser 4: Bright— Phaser with no bass. Features a positive mix type with variable speed and feedback parameters that works well with electric guitars and keyboards. Tremolo— Vintage-style tremolo effect with variable speed and depth parameters that works well as an effect on guitars and keyboards. Delay Choose from analogue, digital or tape delay. For example, the user may select a tape delay for the vocal on Channel 1 while selecting an analogue delay for the guitar on Channel 2. Set your delay time with the centre knob or use the tap tempo feature by pressing the centre knob at the desired tempo. Digital delay— Digital delay effect where the repeats remain uncoloured. Features adjustable mix, time and feedback parameters, and may be used on guitars, drums or vocals. Analogue delay —Classic analogue delay effect, where the repeats continuously deteriorate. Features adjustable mix, time and feedback parameters, and may be used with guitars, drums or vocals. Tape delay— Vintage-style tape delay effect, where the repeats deteriorate even more than analogue delay, and may be used with guitars, horns, harmonica or vocals. The reverb types are plate, small, medium, large and cavern. Control delay time and level of reverb signal sent through master output. Please bear in mind that once you select a global reverb type to be used among any or all channels, you may control the mix and brightness of each channel. However, the type of reverb may only be altered for all channels. This is achieved through adjusting the Reverb Type mixer mode. Plate— Creates the ambience of a typical studio plate reverb. Small— Creates the ambience of a small-sized space. Medium— Creates the ambience of a medium-sized space. Large— Creates the ambience of a large-sized space. Cavern— Creates the ambience of an extremely large space.http://www.shipsupply.co.mz/wp-content/plugins/formcraft/file-upload/server/content/files/1626c028cdbd5a---car-workshop-manual-pdf.pdf Dynamics processing Compressor 1: Light— Compressor featuring a preset low compression ratio with variable threshold and gain parameters. May be used as a general-purpose compression for most instruments and microphones that require minimal level control. Compressor 2: Medium— Compressor featuring a preset moderate compression ratio with variable threshold and gain parameters, and may be used with basses, guitars, keyboards, vocals or other instruments requiring subtle level control. Compressor 3: Heavy— Compressor featuring a preset high compression ratio with variable threshold and gain parameters, and may be used with loud instruments such as horns and drums, vocals or other instruments that require more aggressive level control. Noise gate— Adjustable threshold and speed independently assignable for each channel. Controls extraneous noise from open microphones or hot instrument pickups from being introduced into the system. Limiter— User-adjustable threshold and gain settings are independently assignable for each channel. Prevents input signals from overloading, helping to maintain consistent gain staging. De-esser— User-adjustable threshold and gain settings are independently assignable for each channel. Compression useful in reducing high-end frequencies associated with vocal sibilant sounds. Kick Gate— The Kick Gate is a Bose proprietary technology that allows you to drive your kick drum to loud levels while avoiding microphone feedback. How to use the Kick Gate technology: Connect an appropriate microphone. It is imperative that you gain stage the microphone correctly. Your hardest kick hits should put the LED clip meter solidly in the yellow, just shy of the red. Activate the kick gate. Use the default settings initially. Turn the volume of the system up to desired performance level. Play the softest that you will play in the performance. You should clearly hear these kick hits.aryanrealty.com/ckfinder/userfiles/files/compumotor-sx6-manual.pdf Playing softly, raise the threshold knob until you hear some of your kick hits get cut off. Back the threshold down 3 dB from this point. Play the kick drum as you normally would. Reduce “tightness” to add more boom to your sound. Enjoy your kick drum! Each effect type has designated user-adjustable parameters, which also may vary from channel to channel. You can then determine if the signal will be Dry (after preamp), Pre (includes EQ and FX) or Post (after fader). The trick here is to run the amplifier at the lowest level at which the correct tone is attainable but does not diminish the benefits of the ToneMatch setting. Louder amplifiers can be located and miked offstage. Miking small, low-watt amplifiers is a better technique for this method Use a loading device: Some electric guitarists may prefer to use their amplifier’s output as an input signal into the power stand.ToneMatch mixers can also be used with non-Bose PA systems by using analogue connections and an external ToneMatch power supply (included only with the T8S model). That is why we offer the ability for you to purchase and use the system in your specific application for up to 45 days. If for any reason you are not satisfied, you may return it for a refund. This offer is exclusive to Bose direct sales channels. That is why we offer the ability for you to purchase and use the system in your specific application for up to 45 days, and if for any reason you are not satisfied, you may return it for a refund. This offer is exclusive to Bose direct sales channels. Optionally, you can easily try out the product at participating MI retailers. The T4S comes also with a ToneMatch cable. The T8S comes with both the magnetic protective cover and a universal power supply. We're committed to dealing with such abuse according to the laws in your country of residence. When you submit a report, we'll investigate it and take the appropriate action. We'll get back to you only if we require additional details or have more information to share. Note that email addresses and full names are not considered private information. Please mention this; Therefore, avoid filling in personal details. The manual is 2,76 mb in size. If you have not received an email, then probably have entered the wrong email address or your mailbox is too full. In addition, it may be that your ISP may have a maximum size for emails to receive. Check your email Please enter your email address. C lick here for more information on the types of cookies we use and how to change your cookie settings. It's compact and light enough to make setup quick and easy, yet powerful enough to fill a mid-sized venue. Includes one B2 bass module for more flexibility and even greater power at the low end. It can be positioned behind or to the side of the performer—and you hear just what the audience hears. You're in control, and there's no need for conventional monitors, mixers and PA systems. And everything stores neatly into the included carry bags, making transport easy too. The module includes three settings for increased flexibility. The normal setting is ideal for bass guitar or when miking a kick drum. And the lower setting works well for acoustic guitar and vocals. The engine also features a complete suite of studio-class reverbs, additional effects and dynamics processing.Setup takes only minutes. Four retractable legs fold out of power stand simultaneously for quick setup and compact transport. Small footprint takes up considerably less space than traditional bass cabs required for same performance. Interlocking end caps let you securely stack two modules together on their sides. Three level settings provide flexibility of output. When connected to power stand, active equalisation circuitry automatically adjusts bass signal appropriately. Conventional mixers may have fixed EQ ranges that don't accurately affect desired frequencies when adjusted. But zEQ appropriately redefines low, mid and high frequency ranges of specified sources. Valuable tool for reshaping problematic frequencies in certain venues. For example, you can select tape delay for your vocal on channel 1 and analogue delay for your guitar on channel 2. Features clean, circular layout. Independent level controls for optimal signal output. Just adjust level control until desired level is achieved. Inputs accept balanced 0.63 cm TRS cable. Edit control affects both channels. Sound quality, as with anything Bose is amazing, but the distance the sound travels on my back porch is amazing. It sounds even better the further back you go. I don't understand how this can be, but I'm sure not going to question it! I have used this setup for gigs the last couple of years with audience size from 25-280 people. I must say that I am very happy with the sound in both the high and low areas, it separates the sound beautifully and spreads the sound great in the room. I have though the time received a lot of positive feedback from audience. So all in all a top product that delivers.