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boss bass overdrive manual

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boss bass overdrive manualBefore using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (separate sheet). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, this manual should be read in its entirety. Using the BALANCE Knob, you can adjust the balance between the Dry and Overdrive sounds. This capability gives you complete control of your sound, from soft and warm to hard and bright. The indicator lights when an effect is ON. If this indicator goes dim or no longer lights while an effect is ON, the battery is near exhaustion and should be replaced imme- diately. Set the knob so there is no volume difference between the effect and straight guitar sounds. HIGH EQ Knob Use this knob to boost or cut higher frequencies;. Depress the pedal switch to turn the effect on. (Make sure that the CHECK Indicator lights.) Adjust the output balance between the Dry and Overdrive sounds using the BALANCE Knob. Replace the battery following the steps below. Battery Snap Cord Battery Snap 9V Battery Loosen the thumbscrew at the front of the pedal, then lift the pedal upwards to open the. CHECK Indicator (serves also as battery check indicator) Connectors. Owner’s Manual Options. You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. User-Friendly Manuals. Product Instructions. It's basically in mint condition (see photos) and includes the original box and manual. From Boss: CRUNCHY OVERDRIVE EFFECTS FOR BASS The ODB-3 Bass OverDrive delivers the chest-resonating distortion that hard rock, thrash, and punk bassists have been waiting for. This hot compact pedal has been designed specifically for bass applications.http://www.murrayhaventocumwal.com.au/userfiles/bose-gs-series-2-manual.xml

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You may have to register before you can post: click the register link above to proceed. To start viewing messages, select the forum that you want to visit from the selection below. User-Friendly Manuals. Product Instructions. The Bass Blogger presents a powerful and selectable Fuzz or Overdrive that were specifically tailored for your Bass. Please review this manual to learn the unique potential of this instrument. As the knob is rotated this filter changes the tone from dark to bright through a linear frequency range. This tone knob was designed to react with certain frequencies that are geared for bass and made to apply to both the fuzz and drive designs. In the Drive mode, the volume is inactive and remains at unity gain for optimal performance. When the status LED is lit, the effect is active. When the LED is off, the Bass Blogger is in True Bypass mode. The input impedance presented at this jack is 1 Mi?—. You can connect to another external musical effect or directly to an amplifier. You can connect directly to an amplifier or different effect chain through this jack. This output is not buffered. The battery may be left in or taken out when using an AC Adapter. The input cable should be removed when the unit is not in use to avoid running down the battery. If a battery eliminator is used, the Bass Blogger will be powered up as long as the wall-wart is plugged into the wall. The barrel connector on the front of the Bass Blogger is for a 9-volt battery eliminator or AC Adapter capable of delivering at least 25mA of current. The unit’s battery may be left in or taken out when the eliminator is in use. The actual current draw of the Bass Blogger is 10mA. The Bass Blogger now works fine in daisy chained power configurations. Early versions of the Bass Blogger did not work with daisy-chained power but the pedal has since been updated to accommodate the daisy-chain configuration. Once the screws are removed, you can take off the bottom plate and change the battery.http://iproperty.ae/userfiles/bose-gs-series-ii-manual.xml Please do not touch the circuit board while the bottom plate is off or you risk damaging a component. Electro-Harmonix will repair or replace, at its discretion, a product that fails to operate due to defects in materials or workmanship for a period of one year from date of purchase. This applies only to original purchasers who have bought their product from an authorized Electro-Harmonix retailer. Repaired or replaced units will then be warranted for the unexpired portion of the original warranty term. A purchaser may have even greater rights depending upon the laws of the jurisdiction within which the product was purchased.These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: Come join the EHX Forums. You'll meet EHX staff and knowledgeable users from around the world. The next time you need to re-tube your guitar, bass, or hi-fi amp, be sure to insist on getting authentic Electro-Harmonix tubes. Each wound string is precision wrapped with round nickel-plated steel onto a high carbon, hexagon-shaped steel core. The plain strings are made from the same high carbon steel as the hex cores. The high quality steel and computer controlled winding process results in strings that intonate accurately, are better at staying in tune and vibrate evenly for maximum sustain.It’s emblazoned with the iconic Electro-Harmonix Flashback logo in white on the left chest and back.https://www.informaquiz.it/petrgenis1604790/status/flotaganis23032022-2050 Checking your browser before accessing This process is automatic. Your browser will redirect to your requested content shortly. Something went wrong. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. We are here to help. To provide the musicians with an option to control the desired aspects of their instrument's tone, this Stompbox unit is equipped with the following controls: e.level knob, EQ knob, rate knob, depth knob. The CH1 works well, I am still learning how to get the right sounds for various songs. In all respects It is exactly what I wanted despite the fact that it is well made. Having used other combination effects pedals in the past I can honestly say this pedal being a single effect allows me greater control and its through put to the amplifier gives me a crisp clean sound that allows the full character of my guitar to come through. If you are simply after a chorus effects pedal, I highly recommend you buy one of these.Cancel Thanks, we'll look into this. All Rights Reserved. User Agreement, Privacy, Cookies and AdChoice Norton Secured - powered by Verisign. It may not display this or other websites correctly. You should upgrade or use an alternative browser. Sign Up Now! Besides these guys at the store told me that disto for the bass is one of the worst effects ever. But I like disto, just can't find one that I like a lot.I didn't like this disto pedal. Well. just my interpretation. Besides these guys at the store told me that disto for the bass is one of the worst effects ever. But I like disto, just can't find one that I like a lot.I do solos quite a lot, but would never use distortion on bass - it sounds horrible to me.https://eytam.com/images/boss-bass-overdrive-manual.pdf The only musical way to use distortion, in my experience is to have two outputs - one with a distorted signal and one that has the clean bass - otherwise you tend to lose the real bottom end and you might as well be playing guitar.This is the only distortion pedal that I've found worth having, because of that. It doesn't cut the low end, like all the others do. But nevertheless, I like a really fuzzy, edgy heavy metal type distortion, unlike you. I like being in the realm of noise. And because this pedal doesn't cut my low end, the sound isn't completely un-bass. I didn't like this disto pedal. Well. just my interpretation. Besides these guys at the store told me that disto for the bass is one of the worst effects ever. But I like disto, just can't find one that I like a lot. Click to expand. The harder you hit the strings the more distortion. Opposite effect is reached by barely touching the strings. Plus the damn things built like a tank.Anybody try the Real Tube Blue Overdrive?Well, what can I say. I dreamt about a bass distortion unit for years and when I plugged in it I realised it's not what I expected. It's fuzzy and metallic, very much industrial. But still, I don't mind sounding extreme, so I bought it. Yes, I also wanted more growl and less chainsaw. It doesn't cut low end at least, it gives booming lows. But the sound loses definition very very much, that's my major complaint. Another disadvantage is that I play with a pick and the percussive picking noise produces more distortion than the main tone in the lowest octave. This must be surely solved with a compressor or a limiter run before it. Also an EQ must be very useful. At least it can boost the lows and overall level I suspect there are no solid state stompboxes that may offer something really different. Such are semiconductors. Jim, learn about SWR Interstellar Overdrive (www.swreng.com). This is my dream. It's a tube rackmount preamp designed for true bass overdrive, with blend and 3 band EQ.http://cohn-vossen.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626d26fcc2f7c---california-cdl-manual-spanish.pdfI don't find any difference to the clean sound. 2) Does the level knob anyhow affect the character of sound. I know it only controls the level of the output signal, but it really sounds different if I turn level to maximum and turn down level on the amp, so that it's the same volume, but more distortion on low frequencies. Is it just that I overdrive the input of the amp, or the level knob does affect the output of the pedal?In answer to your first question: The settings in the owners manual are rubbish. Ignore them like the plague. I don't know who comes up with these settings, but I hope they don't play bass!!! Anyway for the natural overdrive sound, you'll have to tweak the drive up just slightly. Very slightly. Or try this one: balance between 7 and 9 o'clock and gain at or around 7 o'clock. Question 2: The level controls the output of the pedal and really doesn't do much more. It should be set so that the distorted volume is at the same volume as the bypassed signal. This is usually ( but not always at 12 o'clock). Hope this helps!! The sound loses balls.Only then you get that fuzz sound, the roaring sound or the slightly broken-up sound. Otherwise it just starts squeeking a lot. My bass has an active EQ, so I can really turn down the highs. Boosting the low-mid with a varimid EQ also helps a lot. I ran my old (passive EQ) bass through the ODB-3, and I couldn't get the sound I wanted. Not even close to my active EQ bass. So an active bass really helps in getting a better sound from this unit. Gold Supporters see zero ads. Upgrade Now Thanks for your support! By continuing to use this site, you are consenting to our use of cookies. Where are you based?I am not using it like I would like, so it goes sadly.Inputs for Guitar or Bass, and connection for an external control for manual control. Used, but in very good condition, bar some glue left on the underside by the previous owner's overzealous velcro use. Picture of this for clarity.AYNADAKIKEMALIZM.COM/resimler/files/case-430-tractor-manual.pdf There's no box, or instructions I'm afraid. Happy to post for ?5 anywhere in UK mainland, I'll make sure it's very well packed.UK Royal Mail 1st class signed delivery included in the price. Possibly open to trades for other pedals - try me.All pedals in good working order, a few have superficial marks and chips so I'll go into detail where I can but they're all in good condition generally. I'll include boxes and leaflets where available too but if I haven't photographed a box I didn't receive one when I bought the pedal.Further pictures and details available on request. Chip on the top right and bottom right corners. Footswitch pops a little but as an 'always on' effect it never bothered me. Various chips all over but, while beautiful, the paint on these is rather brittle. Really great sounding and faithful reproduction of the Maestro B:ASSMASTER. Can often be a few weeks lead time on these, mine is available now ??Some superficial scratches but nothing major. Pretty much 'as new.'Didn't really get much use our of it but a cool effect nonetheless. Have a few preferred chorus pedals so moving this on. Footswitch is a little poppy and there's some low level background noise but I've experienced the same thing on a couple if these pedals. Pretty sure I have the box somewhere for this one. Probably only been charged about 20-30 times, so plenty of life left in it.LS-2 rubber base removed cleanly and will be included.Asking ?100 for the three. Points are worth a 1p discount for every point you redeem.We display the number of points available for a product on the product's page on our website. Normally we'll give you one point for every pound you spend, but watch out for double and triple points deals for even more savings! For Store opening times and COVID restrictions, please click here before you visit. Any significant cosmetic damage is shown in the photos so please take the time to look through and make sure you are happy with the condition before buying.http://www.gametimecatering.com/wp-content/plugins/formcraft/file-upload/server/content/files/1626d2705d566c---california-charge-code-manual.pdf Please see below for a description of the condition of this item. Check out the photos and see if this is the deal for you. This item is second hand and may not include all accesories. Please contact us for further information. Already in heavy demand around the world are the medium-sized BOSS RC-20XL and the deluxe, extra-wide RC-50. Now comes an ultra-compact member of the RC family, the RC-2. House in a compact-pedal case, the RC-2 puts a surprising amount of features in a small stompbox. Each of your layered loop creations can be stored to one of 11 internal patch preset locations. As powerful as this little Loop Station is, it's a dream to operate. Thanks to its clearly labeled buttons and knobs, the RC-2 puts everything directly under your fingertips, with no hidden menus or commands to impede the creative process. Due to its standard compact-pedal shape and size, the RC-2 fits perfectly alongside other BOSS pedals. Great for fast setup and convenient transportation. With the super-deluxe RC-50 at the top of the line, and the twin-size RC-20XL in the middle of the range, the RC-2 represents the most compact and affordable Loop Station. You can then choose which finance term you'd like to apply for, and change your deposit if you wish. This is where your finance application is processed. Assuming your application is accepted you'll be able to place your deposit and confirm your order right there. Get approval before 3pm and we'll send your order out the same working day (stock permitting) for next working day delivery! Andertons Music Co. acts as a credit broker and only offers credit products from Secure Trust Bank PLC trading as V12 Retail Finance. Andertons Music Co. is authorised and regulated by the Financial Conduct Authority. Credit provided subject to age and status. That’s why we want to make it as quick and easy as possible for you to get your order, safe and sound! Click the button below to read more. No delivery charges.http://www.psstrecno.sk/wp-content/plugins/formcraft/file-upload/server/content/files/1626d270d29823---california-child-care-licensing-manual.pdf That horrible, unwanted and mood-destroying hiss or screech that always seems to happen at the worst possible times. It can be present as high-pitched, nasal and mid-ranged, low and humming or via a heap of other ways. What we mean when we say “noise” is almost always in relation to something undesirable. We don’t mean the experimental musical style, also called “noise”. Some of that stuff is great. Noise in this instance is the audio we can hear that we don’t want in our overall sound. Noise in the guitar world is usually the result of electromagnetic interference (EMI) which is all around us in the modern world. This EMI interacts with many guitar cables, pickups, amplifiers and other electronic equipment and when fed into a guitar amplifier (particularly amps with high preamp gain), can produce a lot of unwanted noise. Sometimes noise can even stem from maintenance issues such as cables, dirty pots and jacks on pedals and other gear, damaged amplifiers, poorly wound and installed pickups or other guitar electronics to name but a few common causes. As every player and their setup is different, noise can come from many different sources. The best way to avoid noise is to use quality equipment, look after it and have it serviced. But that’s often easier said than done. Simply put, you know when noise is present and you definitely want it gone. Many guitar players who play at high volume with high gain find themselves in an ongoing battle with noise, hum or unwelcome feedback. The solution is to incorporate some sort of tool to defeat the interference. For many players, that solution is the BOSS NS-2 Noise Suppressor. Contributed by Byron Struck and Matt Walsham for the Roland Australia Blog KILL THE NOISE In continuous production since 1987, the BOSS NS-2 is a best-selling staple of BOSS pedals.AYKUTEMLAK.COM/upload/ckfinder/files/case-430-tractor-manual-pdf Used by everyone from bedroom players to international touring bands like Metallica, Slipknot, U2 and The Dillinger Escape Plan among many others, the BOSS NS-2 is an industry standard in noise suppression. Its innovative design is as effective today as it was at the time of its release. Whether you are looking to minimise unwanted noise in your rig, or perhaps even use it as a tone-tool for sculpting aggressive rhythm guitar textures, depends on how you connect it to your rig, and understanding just how it works. GETTING CONNECTED At first glance, you’ll see the NS-2 has 4 jacks. These jacks allow the NS-2 to be configured in 2 different ways, depending on your rig and your desired outcome. For the purposes of this article, we’ll refer to these two different configurations as the SIMPLE method and the ADVANCED method. SIMPLE METHOD This is the simplest way to use the NS-2. Simply insert the NS-2 into your signal chain as the last item AFTER your noisy pedals or amp. The limitation with the Simple method is that at high noise levels (common with high gain pedals and amps), the Noise Suppressor has difficulty in determining what is noise and what is your actual guitar signal. This can manifest a problem when playing long sustained notes with high preamp gain. As the note starts to die out, the Noise Suppressor in Simple mode may end up “clamping down” and cutting the end of the note off. This effect can actually be desirable for some players. Guitarists who play high-gain, staccato rhythms often relish the “choppy” effect that the Simple Method can deliver. If you are looking to use a Noise Suppressor to “tighten up” your high gain rhythms, then the Simple connection method may be best for you. To combat this problem, the NS-2 was designed with an intelligent “detection circuit” designed to differentiate between your guitar signal and unwanted noise. To take advantage of this functionality, we can connect using the ADVANCED method. When correctly connected using this method, the NS-2 will “detect” your guitar’s signal and allow the noise suppression circuit to activate only as your guitar signal dies out, resulting in a more natural guitar sound. The NS-2 was the first pedal to achieve this style of noise suppression and remains an industry standard still today. Once you have the pedal connected in either method, the NS-2 becomes an invaluable tool. The key to optimum results, is understanding just what the main control knobs do. NS-2 CONTROLS The THRESHOLD control sets how sensitive you wish the Noise Suppressor to be, i.e. the “threshold” at which the Noise Suppression begins to do its work. Setting the THRESHOLD all the way to MAX will cut nearly anything, including guitar signal. If you want to back it off a bit, you’ll also be able to still get nice feedback swells if you desire. A bit of breathing room here can be good. The DECAY control allows you to set to how fast or slow you want the signal to fade out when the suppression circuitry kicks in. Slower DECAY settings will give a more natural overall guitar sound, and avoid the end of long notes being “chopped off” as they die out. Faster DECAY settings are favoured amongst many metal guitarists for the way in which it creates a “choppy” sound that suits tight, high gain rhythm playing. The MODE SELECTOR knob offers options for different ways to utilise the NS-2. In REDUCTION mode, the NS-2 will suppress unwanted noise, as determined by the Threshold. To activate Reduction mode, simply select it via the Mode Selector and press the pedal ON. If the pedal is not switched on in Mute mode, the pedal will work the same as it would in Reduction mode. Essentially, Mute mode does not have a bypass feature. It will reduce your noise but will kill all sound when you step on the pedal. WHAT ABOUT EFFECTS? Ok, good question. You can absolutely use effects and other pedals with the NS-2! However. Keep in mind that the NS-2 has a DECAY feature. Best way to use reverb and delay effects with the NS-2 is to put them AFTER it does its work. You can also put modulation pedals here if you want too. We’ve discussed using overdrive pedals with the NS-2 earlier in this article. But, if you’re using the 4-cable or “X-method”, the only pedal you should plug into before the NS-2 is your tuner. Whichever setup you choose, the BOSS NS-2 Noise Suppressor will clean up your overall sound while maintaining the dynamics and nuances of your playing. Certainly a crucial pedal for live, studio and rehearsal use, (almost as much as a tuner is!), the BOSS NS-2 is your go-to tool for clear and unobstructed tone.Today, our blog takes a brief break from focusing on our usual guides and tutorials, While you may never get tired of the classic sound of Roland. Provides an overview of key features, functions and operational tips. Stay up to date with Roland news, artists, promotions, events, and more. Register your product and stay up-to-date with the latest warranty information. Analysing the aspects of your sound will make your bass tone take centre-stage This statement couldn’t be further from the truth! Fingerstyle or pick, slap, pop or just straight groove playing, the bass guitar is the rhythmic extension of the player. It takes years, decades, if not a lifetime, to truly master the art of bass playing. However, at times, rhythm becomes such a focus that your bass tone becomes a secondary thought. How do you take your bass tone to “11” without destroying dynamics and all of the rich overtones that your guitar and amplifier give you? These four main factors, described below, is what BOSS addressed when designing the BOSS BB-1X Bass Driver pedal. By looking at your bass guitar tone with a “scientific” or analytical eye, it can help you identify what you need in a bass overdrive pedal. Although the “E” note (or fundamental) is the same, the amount of overtone frequencies gives the bass guitar its distinctive sound. Digging in hard with your right hand with a pick compared to finger picking near the bridge give two distinct bass guitar tones that become a part of your sound.Not only does it make your axe shine through the mix but also shows off every nuance of your playing. In order to get a punchy sound with conventional guitar pedals, the narrowed frequency range of the guitar pedal results in a somewhat unnatural sound. In addition, the low end can sound muffled while trying to achieve a transparent, high-definition bass overdrive tone. As the bass overdrive level is increased, the dynamic response is decreased, which limits your musical expression. You wouldn’t use guitar strings on your bass, would you. Choosing a bass overdrive pedal shouldn’t be any different. A good preamp will have an EQ designed specifically for the instrument. This is another reason why bass guitar tone doesn’t quite sound right when boosted with guitar pedals. This makes selecting a specialised bass overdrive pedal important, as a guitar pedal will negatively affect the bass frequencies when using the pedal’s EQ. For example, if you want more of the string attack sound of your pick in the mix you can boost the HIGH or treble frequencies. However, you must have the right tool to do that and is where a good bass overdrive pedal will help. To achieve a clearer sonic punch to your sound, try adding some additional clean signal. This may seem counter-intuitive, but it makes sense.This parallel mix brings in the clarity you are missing; the tight, round low-end, the bright attack on the strings and that extra clarity emphasises the overtones of your original bass tone. It’s surprising how a little dry signal can go a long way in getting your bass overdrive tone to cut through a mix. As a musician, you want to have confidence that the tone you are hearing on stage is the tone the listener is hearing and a good DI or LINE OUT signal will get you there. Analysing the aspects of your sound will make your bass tone take centre-stage This statement couldn’t be further from the truth! Fingerstyle or pick, slap, pop or just straight groove playing, the bass guitar is the rhythmic extension of the player. It takes years, decades, if not a lifetime, to truly master the art of bass playing. However, at times, rhythm becomes such a focus that your bass tone becomes a secondary thought. How do you take your bass tone to “11” without destroying dynamics and all of the rich overtones that your guitar and amplifier give you? These four main factors, described below, is what BOSS addressed when designing the BOSS BB-1X Bass Driver pedal. By looking at your bass guitar tone with a “scientific” or analytical eye, it can help you identify what you need in a bass overdrive pedal. Although the “E” note (or fundamental) is the same, the amount of overtone frequencies gives the bass guitar its distinctive sound. Digging in hard with your right hand with a pick compared to finger picking near the bridge give two distinct bass guitar tones that become a part of your sound.Not only does it make your axe shine through the mix but also shows off every nuance of your playing. In order to get a punchy sound with conventional guitar pedals, the narrowed frequency range of the guitar pedal results in a somewhat unnatural sound. In addition, the low end can sound muffled while trying to achieve a transparent, high-definition bass overdrive tone. As the bass overdrive level is increased, the dynamic response is decreased, which limits your musical expression. You wouldn’t use guitar strings on your bass, would you. Choosing a bass overdrive pedal shouldn’t be any different. A good preamp will have an EQ designed specifically for the instrument. This is another reason why bass guitar tone doesn’t quite sound right when boosted with guitar pedals. This makes selecting a specialised bass overdrive pedal important, as a guitar pedal will negatively affect the bass frequencies when using the pedal’s EQ. For example, if you want more of the string attack sound of your pick in the mix you can boost the HIGH or treble frequencies. However, you must have the right tool to do that and is where a good bass overdrive pedal will help. To achieve a clearer sonic punch to your sound, try adding some additional clean signal. This may seem counter-intuitive, but it makes sense.This parallel mix brings in the clarity you are missing; the tight, round low-end, the bright attack on the strings and that extra clarity emphasises the overtones of your original bass tone. It’s surprising how a little dry signal can go a long way in getting your bass overdrive tone to cut through a mix. As a musician, you want to have confidence that the tone you are hearing on stage is the tone the listener is hearing and a good DI or LINE OUT signal will get you there.