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bose am9 manualThe Acoustimass 9 was never sold as a stand alone speaker system, it was sold as the bass module for the original Lifestyle 12 system. You can get more information about the LS12 HERE. Please do not offer the downloaded file for sell only use it for personal usage. Looking for other manual? For this no need registration. May be help you to repair. You could suffer a fatal electrical shock. Instead, contact your nearest service center. Note! To open downloaded files you need acrobat reader or similar pdf reader program. In addition, Also some files are djvu so you need djvu viewer to open them. These free programs can be found on this page: needed progs If you use opera you have to disable opera turbo function to download file. If you cannot download this file, try it with CHROME or FIREFOX browser. Translate this page: Relevant AUDIO forum topics: BOSE bekotesi rajz Legyszi legyszi ha valaki tudnasegiteni egy BOSE AMP2440-as erosito bekoteseben,azt nagyon szepen megkoszonem. Ez AUDI A3-asbol van, a steker nincsmeg. Basszus vegfoka 2-3mp mulva megfut vagy pozitivba vagy negativba ha nincs a hangszoro rarakva, hangszoroval azonnal letilt, (amikor a kimeneten eljut DC 4V-ig a vedelem lekapcsolja relevel az erositot). Mikor a MUTE hibat kerestem, volt olyan eset is, hogy nem futott meg a kimenet es szolt a basszus rendesen, de ujboli bekapcsolaskor ha nem halkitottam le a potit akkor kikapcsolt a rele, ha lehalkitottam akkor jo lett, de nagyon susogott, arra hasonlitott mint amikor FM radio nincs az allomason, van egy kozos mute tranzisztor az kapcsolja az osszes tobbit, ha azt kiszedtem akkor is megmaradt a susogas, szerintem visszafele jott valamelyik oldalrol ezert szedtem ki mindegyik oldalrol a tranzisztorokat, nem akartam bajlodni vele, hogy honnet jon a susosgas vissza. Mi lehet a gond? Bose Lifestyle CD-20 FLC kijelzo halvany Sziasztok! A fenti keszuleknek halvany a kijelzese.

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Eleg erdekesen van megoldva a kijelzo tapfesze, sokban fugg a bejovo 12VAC feszultsegtol. Kerdesem az lenne, hogy a futest probaljam emelni, vagy a -24V-ot. A D8-on a 30V is kevesebb, de az AC 4.5V is. Melyik befolyasolja jobban a fenyerot. A futes, vagy a negativ tapfesz? Udv: Jacint Bose Sounddock 1 tapegyseg csati Sziasztok. Egy baratom megkert, hogy talaljak vagy gyartsak egy tapegyseget a Bose dokkolojahoz. Sajnos az eredetiket aranyarban adjak, igy gyartanom kell egyet. Talatam is egy elegans kis 4 pines csatit, de fennakadtam az eredeti csatlakozo labkiosztasan. Talaltam egy rajzot de nem tudom eldonteni, hogy a kabelen levot abrazolja, vagy a dokkoloban levot. Ha valakinek dolga volt ilyennel, es tudna segiteni, kerem ne tartsa vissza magat. Koszonom.. Similar manuals: You can write in English language into the forum (not only in Hungarian). If you are stepping onto the stage and someone has made all the connections for you skip down to the section about Performing. Electric guitarists used to play and sing through their amps, but this soon stopped when they started to concentrate on the tone of their guitars. Now, few musicians are willing to share their amps, based on the idea that any sound other than that of your instrument will somehow corrupt the tone. This is probably true for guitar amplifiers playing at heavy distortion levels (voice will be heavily modulated due to clipping).Then use an external mixer, which you probably have if this example describes your musical work, and put it into channel 3 or 4.You will not have much control through the L1. It includes most of the information above. Insert and turn clockwise. There should be an audible click. You should have to slide the silver lock and twist counterclockwise to remove the cable. If you can remove it without a twist, it is not really connected. They are not meant to make something sound like something else (like Guitar processor or instrument patches). Note: The presets for vocal microphones are based on using close microphone techniques. Unlike conventional approaches, you will not be behind the main speakers going to the room. This is a big difference because you will be hearing yourself in the context of the room instead of out of context in the monitor.. full article They do this because they and not you can hear a mix over the mains “out front”.. full article This technique is true for ANY live amplification system, not just ours.If you are new to the experience, you may want to back off from the microphone. Try this instead. Get up closer to the mic. Relax and get used to hearing yourself. You will find it is easier to sing when you can hear. Unamplified, we control our timbre and dynamics with just our bodies - No mics to technique. With the L1, staying on the mic (the simplest of techniques) allows us to sing that way, using our head to toes as our preamp and our lungs as our volume control. Here's where it gets better - With much more available volume, therefore much more dynamic range and coverage way out into the room, we can still bring it down to that unamplified-level whisper (and everyone, singers and audience, can hear every nuance - I love that!), then bring it back up to the brink of ouch.You typically hear either a high pitched squeal or a low pitched howl. The first usually comes from a vocal microphone and the second is more likely from an acoustic instrument like a Guitar. If you have the input sensitivity set too high, it can be difficult to avoid feedback. Just change the direction at which it is pointed. Avoid having it pointed directly at the body of an acoustic Guitar. This will tend to clean up the mix overall even if you are not experiencing feedback. The System once set properly is very stable and does not require a lot of real time tweaking. It is there for you to use if you want, but it does not have to distract you from doing the show. This is your main control for all the sound coming out of the System. You will want to turn it down when you are not actively using the System. Use Channel 1 and 2 Level controls (just above the Master) to work out the balance between the two channels. Start with all these straight up at 12 o'clock and adjust to suit you. Make small adjustments and then listen for difference. Otherwise you may tend add too much EQ. Make sure that the Remote is visible and easily accessible to you as you are playing. Use the velcro to make it stationary so you can adjust the controls with one hand.To be heard and understood you will probably run your stage at a lower volume than you have with other equipment. For example. RehearsalYou want to hear yourself in the same way in rehearsal and performance so that making the transition from one to the other is relatively easy. One of the features of the System is localization: being able to hear everyone in their relative positions on stage. It is good to get a sense of that before you get to the stage. You get the best Gain Before Feedback using close microphone technique. The presets for vocal mics are designed for that (close micing) technique. The problem is initially described as symptoms of malfunction, and troubleshooting is the process of determining the causes of these symptoms. With the L1 it is typically easier to manage unwanted feedback because you typically have fewer loudspeakers, and fewer microphones to manage per System.. full article But even if you have you own L1 there can be challenges on stage. If this is your issue see: Hearing Yourself Resonances of all kind, including those of musical instruments and those of large “boomy” rooms will also contribute to bass regeneration.. full article Your signal source must NOT be stereo. See Model II - Stereo Source to Power Stand Analog Input? See: B1 Cable Connections If you are using a B1 Bass Module with your Power Stand it is ESSENTIAL for proper operation that you use the BLUE cable supplied with the B1 Bass Module or B2 Bass Module.Check the wires in the Speakon connectors. See: B1 Cable Connections Reseat the connections at both ends. If you have recently changed Presets, go up an then back down again to make sure you are completely dialed in. See: Preset 56.5 hint from DJ Argyx. This gave a method for our customers who needed a long B1 cable to get one that worked. That way future L1's would not have the issue.For that reason, we recommend only up to two L1 Model IIs on a single 15A circuit breaker in the US.That will help us determine what is going on.It may happen with loud music because the speaker will be vibrating and shake the loose connection. This will sound like a clean muting of all audio for a second or so. There will be no visual indication.The manual states 110 and 220 for good measure) coupled with high signal level. This can be caused by a low power source, or one where the outlets are a very long distance from the electrical panel, extra equipment on the same electrical branch, power sags or dropouts, long or multiple extension cords, or small gauge extension cords. The LCD display will remain lit, but be blank until the unit restarts. The L1 Model II Power Stand can reset but it does not show on the indicators.Also be aware that separate wall outlets may still be on the same breaker.This can happen under direct sunlight outdoors when the temperature exceeds the maximum operating temperature. Check the access to the fan is clear (opening at the front of the power stand) and that legs are on a flat sturdy surface. If the power stand is on a carpet, it may sink down and obscure the vents on the bottom. Sound Jumps - Spikes - and returns to normal volume.This was tracked down the an issue with the R1 Remote.Hours of Monday-Friday: 9:00 AM - 9:00 PM ETSimply keep the channel volume and the master volume on the remote at or above the 12 o'clock setting. The easiest way to get there is to set the volumes to about 2 o'clock and dial in the trims on the powerstand so that the playing volume is about right. That should eliminate all problems with the spike. That also means that you can use the remote and you do not need to peg the settings at 12 o'clock. I know that this is an inconvenience and we are working full throttle to get the issue finally resolved for all affected users. If you use a microphone or a recorded source playing with these settings - the System would be extremely loud. When you provide an input signal source with appropriate trim settings the hiss should be inaudible. If there is no hum then turn down the Master Level. When you get the hum, remove the source and make sure that the hum goes away.If there is an incoming call, the ring may be amplified through the loudspeaker. If you find that your show is going to be compromised by a small or awkwardly positioned stage, just ask: The farther apart the players are, the more you will want some depth behind you everyone can hear one another. Hardware and software designs can be sophisticated in this regard and we put enormous effort in this area.Assuming the AC power recovers, the reset sequence with digital electronics usually takes a few seconds. If that few seconds is longer than the power outage, it can be a frustrating wait.Do not use a 100’ cord when a 25’ cord will do. Good cords are worth the extra expense. The reason is that the electrical connectors at the junction between cords can introduce extra resistance, especially if they are bent or corroded. Lots of power-hungry equipment loaded onto one circuit will lower the voltage and can cause equipment resets and failures, especially in very loud musical performances. If possible, move these appliances to other circuits or have them turned off during the performance. That's pretty rare and the main cause is lightning, some accidents involving power lines (mostly on poles) being cut and touching something they shouldn't (e.g. the wrong side of a power transformer) and some really big compressors (e.g. industrial-sides freezers or fridges) turning on or off.With lightning, anything is possible. No piece of equipment that I know will survive a direct hit into a directly connected power line. But then again lightning might strike a few blocks (and transformers) away in which case a surge protector might be able to take the first hit and die quickly enough to protect the attached equipment.That helps with ground loops. On the other hand it's not a good idea to turn things on and off with the switch on the power strip.Our system (and many others too) are designed to deal with all sorts of AC power fluctuation and have high-quality internal regulators.The amps and power supplies in the L1 use highly efficient switching technology, Many voltage regulators are not a good fit for this technology since they are simply not fast enough.As long as wall voltage is within the range I quoted earlier (90V-135V), the DC voltages that the preamps and DSP's see do not change. As part of the process of converting from AC to DC the power is also filtered. No matter what happens at the wall, the audio portions just see clean DC power. When the voltage goes outside the bounds, the unit just shuts down gracefully.The reason I ask is because the process of simply converting AC to DC is a pretty common practice.: ) There are also many computer power supplies that use the conversion as a cleaning process, but that doesn't mean that the computer doesn't perform better from clean, consistent power.So, I'm curious because I must just not understand. I wish I knew more about the engineering aspect of it. I can only report the facts of what I (and others) hear. Anyway, If you have the time, or the notion.I would be interested in a more in depth description.: ) ThanksThe toaster is like most electrical appliances in the world - it isn't very picky about it's power - and we would never notice the difference in performance. All the toaster does is take wall voltage and feed it to the heating element (the portion that glows red). If the wall voltage dips to 100, the power to the element drops proportionally. Noise on the AC line would have little effect on the element- the element takes a long time to heat up and cool down compared to the speed of the power changes, so it won't care about momentary dips. For example, if a refrigerator kicked in in a poorly wired house, the power may go down to 80V for a tenth of a second. The temperature of the element probably would not change measurably, and the end product (toast) would definitely not suffer.We're going to hear and care about sudden dips and changes in wall voltage, unless we regulate the power.These voltage levels (usually around 3.3 volts DC, or less) dictate the 'ons' and 'offs' at the heart of these devices.Both of these portions rely on regulated, constant power to operate well. In the case of the digital portions, it relies on this constant supply of power to operate at all.These are very light and efficient. Here's an article on how they work. In a switched mode supply (or switcher), the DC voltage is created from AC by rapidly switching a transistor on and off. The average of these on and off times, after a lot of filtering, becomes the DC voltage (pictures are in the wikipedia article). Regulation is done by varying the amount of the time the transistor is on and off. The switching occurs very fast, always more than 30,000 times per second. Sometimes much more. Switchers are an abstract concept and there isn't really a good analogy that I can think of for how they work.This is a major part of the product's design, and the focus of a lot of testing. Occasional red flickers (up to a second long) are okay. This may start to happen at -5 dB before clipping or with transient peaks. You will see these to warn you when you are approaching clipping. If you see solid red then you may be clipping. You probably won't have to change this setting on the F1 Model 812 unless you use a different source.The internal limiter will protect the system. You can tell when the limiter is working. The yellow limiter light will come on.The MIC setting does not apply any microphone specific EQ. In this way, it is different from the L1 Compact Channel 1 input. If your source has an output level lower than that it's perfectly okay to use the MIC setting. This does not indicate a malfunction. There's no mention of the DSP in those terms because this all happens automatically. The DSP is not user accessible except by changing the position of the flexible array and the EQ switch.Looking at the documentation for the Bose F1 Model 812 Passive Loudspeaker Installation and Safety Guidelines you will find a section about the active equalization that must be provided for the F1 Model 812 Passive to provide infrasonic bandpass protection, amplifier power limiting and active equalization.The F1 Model 812 uses similar settings.Its unique flexible baffle allows you to tailor the loudspeaker’s vertical coverage to a wide variety of listening environments. Simply push or pull the array into position to create “Straight,” “C,” “J” or “Reverse J” coverage patterns. Once set, the system automatically updates the EQ to maintain optimum tonal balance for each coverage pattern. So whether you’re playing at floor level, on a stage, or facing raked seats or bleachers, you can adapt your PA to the room. Engineered with an array of eight high-output drivers, a high-powered 12-inch woofer and a lower crossover point, the loudspeaker delivers full-range, high-SPL performance while maintaining vocal and midrange clarity that’s dramatically better than conventional loudspeakers. The Bose F1 subwoofer packs all the power of a larger bass box into a more compact design that’s easier to carry and fits in a car. A mounting stand for the loudspeaker is stored right in the body of the subwoofer, making setup fast and easy. The stand even includes cable channels to neatly hide wires. The loudspeaker and subwoofer combined deliver 2,000 watts of power, so you can fill nearly any room with sound. And now getting there is easier, too. The loudspeaker and subwoofer feature strategically-placed handles for easy transportation. Characteristically, horns have a fixed output pattern that isn’t adaptable to typical performance spaces. These fixed-pattern loudspeakers are commonly positioned on pole mount stands where high-frequency content is projected over listeners’ heads, making vocal intelligibility difficult. The Bose F1 Model 812 flexible array is quite useful for quickly and easily adjusting the loudspeaker’s coverage for a variety of performance and listening spaces, ensuring quality reproduction without the need for complex placement. When the array position is changed, the loudspeaker’s internal EQ automatically changes according to the array’s position: “Straight,” “C,” “J” or “Reverse J.” This allows the loudspeaker to maintain tonal balance no matter which position is used. However, other powered subs can be connected to the F1 Model 812 loudspeaker. Its powerful amplifier and dual drivers produce bass as much as subs nearly double its size.However, you can connect as many as needed. The T1 engine is a powerful multichannel audio device designed for musicians to use Bose portable pro loudspeaker systems. It includes our largest library of ToneMatch presets, proprietary EQ, a complete suite of studio-class effects and processing, and five channel inputs. Common sources include: A dynamic microphone An acoustic instrument with a pickup system Electronic keyboard Electric bass guitar CD or MP3 player However, it must never be exposed to precipitation or extended periods of direct sunlight. In cases of light rain, take precautions to cover the back panel of the loudspeaker.Due to the versatility of the flexible array, the system also can be used in a wide range of locations. Any single voice, instrument and group size will benefit from the advantages of hearing themselves better, of being in complete control of their performance, of having audiences hear them better and of being able to set up and perform in just minutes. The F1 subwoofer’s compact design and high capability eliminate the need for transporting subwoofers twice their size. Plus, the integrated stand eliminates ugly tripod bases that expose hanging wires and create tripping hazards. Purchase on the web at Click on “Shop Online,” then “Speakers” and then “Portable PA.” Visit select Bose Stores that carry the F1 system. All Bose direct purchases include a 45-day Better Music Guarantee. This means you can test any F1 flexible array system in your own environment and return it for a credit within 45 days of purchase. You are only responsible for the return shipping to Bose. You can also purchase F1 flexible array systems at Bose authorized resellers, such as: Guitar Center Musician’s Friend Sweetwater American Musical Supply zZounds Specialty dealers Both warranties are transferable with the product even if the ownership changes. That is why we allow you to purchase and use the system in your specific application for up to 45 days. If for any reason you are not satisfied, you may return it for a refund. This offer is exclusive to Bose direct sales channels. You will find extensive, application-specific documentation and helpful hints. The forum is fully searchable and can be accessed at. You may also contact our product support team and speak with our knowledgeable staff of musicians. They may be reached at 877-335-2673. What are the replacement costs. Customers outside of the U.S. should refer to their local Bose website. Then when you release it, it should slip back flush with the grille.This smell is out-gassing and it is actually normal for an odor to be released from a new loudspeaker. This is a release of chemicals due to temperature or pressure. In almost all cases this goes away after the first few uses of the product. If anyone feels their product is behaving abnormally, we encourage our users to reach out to our support department. Monday-Friday: 9:00 AM - 9:00 PM ETF1 Model 812 loudspeaker: 44.5 lbs (20.18 kg). F1 system stack: 99.5 lbs (45.7 kg)Use 0dB position for a line-level signal input.Recommended when using with F1 Model 812. Affects LINE OUTPUT signals only. Its unique flexible baffle allows you to tailor the loudspeaker’s vertical coverage to a wide variety of listening environments. Customers outside of the U.S. should refer to their local Bose website. The F1 passive requires outside amplification. The F1 Active and F1 Passive have the same inserts, share the same accessories and brackets and can be used in both portable and installed applications. There are four loudspeaker equalization presets available for each of the four array positions. These can be used in both Bose and 3rd Party processors. For installed applications, we recommend using the MB4, MB12 and MB24 sub. Click here for more information on the types of cookies we use and how to change your cookie settings. So we compromised on nothing. Beauty's in the eye—and ear—of the beholder. So we designed the Lifestyle 650 home entertainment system to be beautiful in every way. Acoustics. Aesthetics. Craftsmanship. Simplicity. For your movies and music, it's the most uncompromising 5-speaker home cinema system we've ever made. With OmniJewel satellite speakers—even smaller than our Jewel Cube speakers, which are also available for this system—we're rewriting that history with a new chapter on elegance. Each of these tiny speakers features a carefully milled aluminium housing with two acoustic enclosures for dual-opposing drivers. This is the key to creating our first omnidirectional speaker for true 360-degree sound and a more spacious home cinema experience. It took a team of 30 people to perfect every last detail, ensuring the acoustics would work with the aesthetics. And the rear speakers? Wireless. It's packed with five precision speakers and coated in an anodised aluminium finish. Of course you want that resounding bass performance for movies and music. But you don't want a monstrous piece of equipment to enable it.But it’s more than just good looks. And it’s all controlled with a universal remote. Which is right for you? Of course, there’s the premium home cinema performance that you’ll love for movies, TV and sports. But when it comes to enjoying your music, you can listen whichever way you want, without worrying about which technology is best. This system features SoundTouch, which lets you play music through your Wi-Fi network for instant in-home listening.SoundTouch lets you take total control of your listening experience, right from your smartphone or tablet. Easily personalise presets for one-touch access to the music you love and control one or many SoundTouch speakers around your home. Without lifting a finger. Just open the Alexa app. Search for “Bose” under the Skills menu. Then follow the simple one-time setup. So, what can you do? Plenty. Start your funk playlist in the kitchen. Turn the volume up or down. Change tracks. Find out what’s playing. And even control where it’s playing—from the speaker in your kitchen to the speaker in your bedroom. So when you hear it, you hear it at its absolute best. The rear speakers and bass module even connect wirelessly for easier placement. The AdaptIQ system makes it a breeze. Sound quality is second to none with old favourites giving up new sounds all the time that we simply did not pick up with our previous system. High value investment but worth every penny. Far exceeded my expectations Take advantage of the free installation, its great ! Entertainment systems use the SoundTouch app; while the Bose Home Speaker family uses the Bose Music app. However, Apple device owners can use Apple AirPlay 2 to group the entertainment system with Bose Home Speaker family products for multi-room synchronised playback. Apple AirPlay 2 requires a Wi-Fi connection. As you’re connecting components to the control console, the system recommends the best connectors via messages on the screen. It even confirms that the connection has been made properly.The bass, treble, centre and surround levels can be adjusted using the universal remote control. The module should not be placed on a shelf or table. The rear speakers connect wirelessly using the wireless connectors. The connectors have a range of about 10 m (32 ft) and connect via a proprietary 2.4-GHz radio. From there, you can select one of your presets or browse the Recents list. The buttons marked 1 to 6 on the remote control will also play a preset once the system is turned on and the SoundTouch source is selected. It does not stream Internet video sources or videos stored on a computer. For this, you would need to use a streaming device such as Apple TV or Roku. You can also control the music that’s playing—for example, say “Alexa, pause the music in the Kitchen”, “Alexa, resume the music in the Kitchen”, “Alexa, turn up the volume in the Kitchen”, “Alexa, skip to the next song in the Kitchen” and so on. However, you can still create groups in the Soundtouch app as normal, even if the music was started through the Bose Skill. For example, “Alexa, ask Bose to play Preset 1”. Play content in a specific room. For example, “Alexa, ask Bose to play Preset 1 in the Living Room”. For example, “Alexa, ask Bose to pause”. Adjust volume. For example, “Alexa, ask Bose to turn this up”. Play the same music everywhere. For example, “Alexa, ask Bose to turn this up”. Find out what’s playing. For example, “Alexa, ask Bose what’s playing”. Turn a system on or off. For example, “Alexa, ask Bose to turn off”. The Skill itself is free, and it is enabled through the Skills section of the Amazon Alexa app. An Alexa-enabled device like an Amazon Echo or Echo Dot is also required to use the Skill. Are you sure to remove this product? By continuing to browse or use this site, you are agreeing to our use of cookies.Please share your ZIP Code to find a nearby Best Buy to try out your next phone. Please share your ZIP Code to find a nearby Best Buy location By adding additional speakers to your soundbar and achieving 5.1 audio quality! Basically, the more channels (or speakers) you add, the higher quality the sound will be. As you can guess, a 5.1 channel uses a total of 5 audio channels - plus a subwoofer. Finally, you don't need to leave home to get an amazing surround sound experience. The two rear speakers are connected to the wireless receiver module by wires. That way, you can become completely engulfed in whatever's happening on your TV. Here are the soundbars that can connect: Some soundbars even come with a subwoofer ! You'll know that they're connected once the blue indicator glows on the speakers. The soundbar also needs to be turned on. The red indicator on each speaker will turn off and start blinking blue. Hold down the button for 5-6 seconds until the “ID SET” message appears on your soundbar’s display. Please read your soundbar's user manual for specific instructions. Your speakers are now connected! You can purchase a separate speaker set if you want!