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boss chorus pedal manual

boss chorus pedal manual

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boss chorus pedal manualSomething went wrong. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. We are here to help. To provide the musicians with an option to control the desired aspects of their instrument's tone, this Stompbox unit is equipped with the following controls: e.level knob, EQ knob, rate knob, depth knob. The CH1 works well, I am still learning how to get the right sounds for various songs. In all respects It is exactly what I wanted despite the fact that it is well made. Having used other combination effects pedals in the past I can honestly say this pedal being a single effect allows me greater control and its through put to the amplifier gives me a crisp clean sound that allows the full character of my guitar to come through. If you are simply after a chorus effects pedal, I highly recommend you buy one of these.Cancel Thanks, we'll look into this. All Rights Reserved. User Agreement, Privacy, Cookies and AdChoice Norton Secured - powered by Verisign. Depression, ADHD, memory loss, agitation: These may seem like inevitable byproducts of modern lives spent multitasking, not getting enough sleep, and operating on digital overload. But while much of the brain’s work still remains a mystery, a growing body of scientific evidence suggests that the food you eat directly affects how well your brain functions. Brain health also pl.The guests range from super celebs (Jamie Foxx, Arnold Schwarzenegger, etc.) and athletes (icons of powerlifting, gymnastics, surfing, etc.) to legendary Special Operations commanders and black-market biochemists. For most of my guests, it’s the first time they. The Bass Clone is a compact chorus pedal with variable parameters for a range of subtle to extreme modulation effects. Use these variable parameters to dial in the perfect chorus sound.

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You can add subtle, shimmering modulation to the higher end of your bass, or create a more extreme, vibrato-sounding effect. These features include a greater range of modulation depth, added bass and treble EQ controls to shape your tone, and a crossover switch to decrease the amount of low frequency modulation. The Bass Clone takes a pedal that was already a favorite of bassists and makes it the perfect compact bass chorus pedal. The red status LED lights to indicate that the effect is engaged. The sound you hear is a combination of dry and modulated signal. Flip the X-OVER switch up to cut low end from the modulated half of the signal; the effect will be more subtle on lower notes. Engaging X-OVER helps you retain essential clarity and punch in your low end while maintaining shimmering modulation in your high end. Using the wrong adapter or a plug with the wrong polarity may damage your Bass Clone and void the warranty. The status LED glows brightly to signal that all operational voltages are satisfactory. The LED will not light if the Bass Clone is bypassed. Press the footswitch to toggle between effect on and true bypass mode. No boosting or cutting at 12 O’clock. The output impedance is 1KOhm. Plug the output of the AC adapter into the 9V power jack located at the top of the Bass Clone. The Bass Clone draws 15mA at 9VDC with a center negative plug.Take off the bottom plate and change the battery. Do not touch the circuit board while the bottom plate is off or you risk damaging a component. - WARRANTY INFORMATION - Electro-Harmonix will repair or replace, at its discretion, a product that fails to operate due to defects in materials or workmanship for a period of one year from date of purchase. This applies only to original purchasers who have bought their product from an authorized Electro-Harmonix retailer. Repaired or replaced units will then be warranted for the unexpired portion of the original warranty term. Include ? with your returned unit. is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. If the device is not installed and used in accordance with the instructions, it may cause harmful interference to radio communications and void the user’s authority to guarantee the equipment. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: Come join the EHX Forums. You'll meet EHX staff and knowledgeable users from around the world. The next time you need to re-tube your guitar, bass, or hi-fi amp, be sure to insist on getting authentic Electro-Harmonix tubes. Each wound string is precision wrapped with round nickel-plated steel onto a high carbon, hexagon-shaped steel core. The plain strings are made from the same high carbon steel as the hex cores. The high quality steel and computer controlled winding process results in strings that intonate accurately, are better at staying in tune and vibrate evenly for maximum sustain.It’s emblazoned with the iconic Electro-Harmonix Flashback logo in white on the left chest and back. Even if chocolate chip is on your mind, our cookies make an important contribution to a great shopping experience. They help us to show you relevant offers, remember your settings to ease navigation on our website and alert us when the website is slow or unstable. You can view and manage further details and options here.Always with customised added value for musicians. Close Service Contact us Help The effects unit sounds highly convincing in mono, but plug in a second amp to Output B and the sun will truly rise. A truly broad stereo sound, shimmering in the treble, makes most clean sounds (among others) much more effective. Of these, 295 customers have written no texts or given their feedback in another language. 4 98 Customers 98 customers have given this product a 4-star rating. Of these, 96 customers have written no texts or given their feedback in another language. 3 11 Customers 11 customers have given this product a 3-star rating. Of these, 10 customers have written no texts or given their feedback in another language. 2 4 Customers 4 customers have given this product a 2-star rating. CH-1 is a very smooth and clean sounding chorus effect, that compliments any clean guitar signal beautifully (always works great on overdrive). It works great in mono, but also has a stereo output - stereo chorus is always cool. The CH-1 also includes an additional function in an EQ knob, which can give give a really strong, bright and shimmery chorus sound, whilst boosting the depth at the same time can create a sound verging on the edge of vibrato. The CH-1 is an excellent chorus pedal, offering a flexible modulation which is easy to use. There are many chorus pedals on the market, many with more features, but the CH-1 sounds great and can hold it's own amongst it's competition. Send report Total handling features sound quality State of the Art der penny, 24.02.2014 I bought the Boss CH-1 chorus pedal, because I was looking for a chorus effect for my clean guitar sound. Fast delivery by Thomann, perfect as usual. The pedal is built like a tank, easy to use and it brings exactly this chorus effect, you have heard on so many recordings or live performances. This pedal is jused by a lot of professional musicans on their effect board for years. The pedal also works very well on your bass pedalboard. So, I have two of them. One for my guitarrig and one for my bassrig. In my opinion, this pedal is state of the art, for years. Send report Total handling features sound quality Great chorus pedal Dub77, 09.06.2020 This is a solid built and great chorus pedal, however, I already own the boss Ce5 chorus Ensemble pedal which is far superior. If you are looking for a chorus pedal, i strongly recommend that you get the CE5 over this as the CE5 allows you choose to put emphasis over bass or treble, and gives the ability to blend these tones. Pros. solid chorus pedal with good tone Cons. Send report Total handling features sound quality Gurteen, 13.03.2019 Good quality chorus pedal. Send report Read all 155 reviews Rate product Standard Delivery Times. Since its 2015 release, the BOSS ES-8 Effects Switcher has enjoyed worldwide acclaim. With its ground breaking design, functionality and control options, the BOSS ES-8 offers features far surpassing any similar device. Pedal Loop switchers are not new of course. BOSS themselves were pioneers of the concept back in 1982, first with the SCC-700 Sound Control Center, and later the innovative ME-X; a multi-effects unit that enabled players to integrate and control 3 external BOSS pedals of their choice. Though the BOSS ES-5 is a slightly scaled down version of the larger ES-8, it still packs more functionality straight out of the box than practically any other effects switcher currently available. The ES-5 is immensely powerful and once setup to your liking, becomes the “brain” of your entire guitar rig. The flexibility and control of the ES-5 gives you one central control point for pedals, amplifiers and external MIDI devices.’ll also dig deeper and unravel some of the more advanced capabilities of the ES-5, showing you how to gain maximum utility from this outstanding device. To get the most value out of this article, we would highly recommend using it in conjunction with the ES-5 product manual, available for download here:By reading this article alongside the manual, you’ll soon become very familiar with the ES-5 and all of the control possibilities that it offers you.An effects switcher is a control device that allows a guitar’s signal flow to experience different pedal and effect combinations. Effects switchers simplify a pedalboard, allowing a guitar player more control over their rig. It helps reduce clutter, stress and frees the player up to focus more on their playing. Pedals connect to their own individual “loops”, located on the switching system. The ES-5 contains FIVE loops numbered 1-5. Multiple loops (or pedals) create combinations, which store as a preset. Using footswitches, the guitarist selects the switcher’s combinations and ultimately, what devices process the guitar signal. For more information on Switching Systems for your rig, please check out this article: WHY SHOULD I BUY A SWITCHING SYSTEM? Essentially, it is designed to make numerous individual effects pedals act like a single, customised multi-effects unit. The ES series also has the added advantage of removing specific pedals that are not in use from the signal chain. Doing this keeps the signal path as short and as simple as possible for the guitar tone to remain intact. The ES-5 augments the concept of effects switching systems by providing a plethora of additional features and benefits, far beyond the capabilities of similar devices. These additional features greatly expand the scope of a guitar rig and gives players complete control of their signal chain. This includes single-touch control of amplifiers. MIDI devices and external effects Here is a list of some of the functions that the Boss ES-5 can perform that allows total control of any guitar rig:At their core, the ES-5 and ES-8 Effects Switching Systems both provide similar levels of functionality. However, in order for the reduction in physical size of the ES-5, there are a number of differences to its larger sibling, the ES-8.The ES-5 can use up to TWO External Control Pedals to perform control functions whereas the ES-8 can facilitate up to four. Perhaps a little less obvious, but equally important, is the ES-5’s omission of the VOL. LOOP that is present in the ES-8. This loop commonly interacts with a guitar amplifier’s effects loop. The ES-5 lacks this dedicated VOL. LOOP. It is still connectable with a guitar amp using the 4CM, only doing so will use up of one of the ES-5’s effects loops. This means that only FOUR effects loops will remain available for use. The ES-5 suits the guitarist with a more compact setup who doesn’t require the complete flexibility of 4CM setup. Check out below for a more detailed comparison of ES-5 with ES-8:In order to take command of all that the Boss ES-5 has to offer, it helps to understand its key components, as well as how they work in conjunction with each other. Below is a picture of the ES-5 rear panel, along with a block diagram showing the internal structure of the signal path routing:Each loop is accessible via a SEND and RETURN jack on the ES-5 rear panel. (Refer Section 2-1 ). On most Loop Switchers, the loops adhere to a serial setup, one after the other. (i.e. Loop 1 RETURN would feed directly into Loop 2 SEND and so on.). The ES-5 Analog Switch Array uses a clever matrix of relay switches in order to provide total flexibility of signal path options. Consider the following example (figure 1) where we have pedals connected to three of the ES-5’s loops. contrast to most other effects switching devices, the ES-5 gives you the option to reconfigure this signal flow, as in the next example (figure 2):This unique and powerful feature applies differently to each patch, allowing you to re-order your pedals at will in order to achieve different sounds and effects. (For further detail, see section 3-1 ). The MIXER is the section that mixes this split signal back into a mono signal sent to the output. Because the mixer circuit contains a small opamp, it also provides two important additional functionsThe mixer can be completely defeated, if parallel routing or carryover functions are not required. (See section 3-4 ):Now that you understand how signal flows through the ES-5 and are starting to get an idea of the possibilities, let’s get underway with looking at the basics of connection and usage.It has no built-in effects at all. To hear any sounds other than a clean guitar signal, at least one effect pedal requires connection to one of the ES5’s loops.Let’s look at how to get started:As outlined earlier, the primary concept of the ES-5 is to give players the power to turn on and off various combinations of connected pedals with the single tap of one of the numbered footswitches. To achieve this, along with various other functions, desired pedal combination must be stored into the ES-5 as a patch (sometimes called a preset). The ES-5 has the capability to store and recall up to 200 different patches. These patches are organised by Group (1-8), Bank (1-5) and Number (1-5).Before doing so though, let’s first familiarise ourselves with the ES-5’s LCD display. When not in EDIT mode, we refer to the LCD display as the Play Screen. The Play Screen has five different display modes that cycle by repeatedly pressing the EXIT button. (We’ll refer to these five variations of the Play Screen throughout this document.)This describes the ES-5’s patch structure, as well as how to access patches. Let’s start with the ES-5 at patch number 111 and move on to create our first patch.On unboxing the ES-5, every patch arrives preset to a completely neutral state with all loops disabled, (i.e. the ES-5’s input signal routes directly to the output). Assuming your guitar amp is set for a clean tone with the ES-5 connected, this neutral state will result in a clean tone with no effects.Let’s now look at how to create and store a patch that gives a distortion tone, by activating Loop 1, which contains, in this case, a BOSS DS-1X Distortion pedal.Flick between the two patches and you’ll see that you have created your first patch. Next, let’s look at another way to switch between your connected effects in real time.The ES-5 has two distinct modes of operation: MEMORY MODE and MANUAL MODE. Up until now, we have been discussing Memory Mode, where you create, store and recall various preset combinations of effects loops into your own patches. At any time though, by holding the BANK footswitch for 2 seconds or more, you’ll see the footswitch indicator LEDs change colour from blue to red, which indicates that the ES-5 has now entered MANUAL MODE. Manual Mode changes the function of the five numbered footswitches of the ES-5. Now, rather than selecting preset patches, the footswitches become direct access switches to turn each loop on or off. Essentially, the ES-5 is now acting like a row of 5 traditional stompboxes.Let’s say that your preset patch has a Distortion pedal active (Loop 1), but you want to add some Delay (Loop 2) just for a certain short phrase. Rather than take up an entire memory slot for this new sound, switching to manual mode will enable you to turn Loop 2 on or off as required throughout the tune. When you toggle back to MEMORY MODE by depressing the BANK footswitch for 2 seconds, the ES-5 will immediately revert to the settings of the preset patch.http://www.AUTODESGUACECOIN.COM/ckfinder/userfiles/files/concept-ep-2920-manual.pdf By understanding the patch structure, learning how to create and store patches and toggling between MEMORY and MANUAL modes, you will now have a good handle on the basic operation of the ES-5. This is certainly enough information for you to get along with creating your own patches and setting them up for performance. The beauty of the ES-5 though is that it doesn’t stop at this point. The ES-5 has a whole host of advanced functions, many of them unique to the BOSS ES-series Switching Systems. Let’s start digging into some of the ES-5’s exclusive features and discover how to harness its full power in order to fully control your entire rig.As described earlier, most loop switching products have a rudimentary architecture that simply switches effects loops on and off in a serial placement. The ES-5’s Analog Switch Array though (refer section 1-3), gives you the power to completely rearrange the connected order of your effects pedals at will. You can even change the pedal order for every single patch. As many guitar players know, the order in which you connect your effects pedals has a significant impact on the final sound. A wah-wah pedal placed AFTER a distortion pedal will not replicate the classic wah sound we have come to love. Placing the wah-wah BEFORE the distortion pedal creates classic wah tone. A delay pedal will react quite differently too, depending whether it is placed pre or post-distortion. In this next section, we’ll examine how to exploit the effects of changing effects placement by altering the flow of the signal chain within the ES-5. This occurs via the ES-5’s Loop Structure Screen.Therefore, signal flow is from right to left. To demonstrate, let’s connect a DS-1X Distortion Pedal to Loop 1 of the ES-5 and a DD-7 Digital Delay pedal to Loop 2.It is a powerful feature of the ES-5 and yet it marks only the beginning of its advanced signal routing capabilities. Next, let’s look at how the ES-5 creates parallel effects chains.Usually when we connect effects pedals to each other, they connect in SERIES, one after the other:Some examples of uses of parallel chains are:Series connection can result in a very complex sound as the second delay pedal is acting upon an already-delayed signal from pedal 1. By connecting it in parallel, a dry signal blends in with the fuzz to provide more clarity. The ES-5 allows quick and easily exploration of the different tones and textures that are available by using parallel connections.Let’s look at how the ES-5 creates a parallel connection. In this example, we are going to connect a DS-1X Distortion pedal (Loop 1) in parallel with a PH-3 Phase Shifter (Loop 2). The same circuitry that sends the signal to a parallel chain and recombined enables the ES-5 to perform another extremely useful function, known as CARRYOVER.The CARRYOVER function (sometimes called spillover or trails) is a function that is very useful for time-based effects, such as Delay and Reverb. Let’s say you have a patch dialled up with a healthy amount of delay effect that “trails” on after you finish playing. The problem with most effects switchers (and many multi-effects devices too) is that when you switch to the next patch, these delay “trails” will abruptly be cut off.Let’s look at how we can use the carryover function. In this example, we have the following 2 patches preset into the ES-5:Loop 1: DS-1X Distortion. Loop 2: DD-7 Digital Delay set for moderate LEVEL and FEEDBACKClean tone. All loops bypassed.Because the ES-5 has only one internal mixer it means that, depending on the settings, in certain situations, you might not be able to use a parallel connection or the Carryover function may not work. As well as enabling the ES-5 to perform the parallel loop and Carryover functions, the internal MIXER has some secondary functions that are extremely useful and can come in handy in many situations.If you are not using Parallel Chain or CARRYOVER within your patch, then the MIXER will default to the OFF setting. Activating it takes advantage of its other useful functions:The mixer contains a small opamp (Operational Amplifier) that can attenuate or boost the output level of each patch via a user-adjustable gain control. Available level settings are:When the mixer in the ES-5 activates, it automatically buffers the output signal to preserve your guitar tone. ( For more information on buffers, see Section 3-5 )To access the internal MIXER: You’ll see this screen:It is a fact of physics that when you start running your passive guitar signal through cables longer than around 18’, you will experience some audible tone degradation. This is due to the capacitance of the cable itself acting on the relatively weak, high impedance signal that is output from a guitar with passive pickups. The capacitance of the cable creates a filter effect, similar to rolling off the tone knob on your guitar. The longer the cable, the more the treble (and even high mids) will be rolled off. For some guitar players, this effect is an important part of their sound. Many players in the 1960’s and 1970’s used “curly cables” which had a lot of capacitance to intentionally dull down the sound of their bright amps. For many players though, the sparkling clarity of a pure guitar signal is preferred. A buffer is an electronic device that provides an ideal impedance input to “receive” the signal from your guitar pickups and converts it to a stronger low-impedance signal that allows it to better “flow” through the rest of your signal chain. As we have already discussed, the ES-5 has the capability to buffer the output signal via the internal mixer, however the MOST critical area to place a buffer (if you wish to use one) is at the START of your signal chain, right after the guitar pickups. For this reason, the ES-5 has a buffer located at its INPUT stage. This buffer is selectable for each patch. The ES-5 Input Buffer defaults to ON for every patch, however you may wish to bypass the input buffer if:To defeat the Input Buffer on any given patch: Intended as a sort of “master control” for your rig, the ES-5 also incorporates powerful capabilities to have one-touch control over many aspects of your rig. As well as the simple functions of turning effects on or off in your control chain, the ES-5 can also send:The ES-5 can control external equipment by two main mechanisms:These jacks connect to any external device that use ?” jacks for control functions, (e.g. amplifier footswitch jack, delay pedal tap tempo input, modulation pedal expression input etc.). Each jack can control up to two different devices with the use of a Y-Cable.These control signals generate from within the ES-5 (see sections 4-2, 4-3, 4-7 ) or by connecting an external control pedal to the CTL IN jack (see section 4-5 ).The ES-5 is a fully fledged MIDI controller and can be used to control any external device with a MIDI IN port, including digital effects pedals, rackmount processors, MIDI-Capable guitar amps, sequencers and even lighting controllers. The ES-5 can output MIDI Program Change (PC), Continuous Control (CC) or MIDI Clock Sync messages. Each ES-5 patch can transmit up to 8 different MIDI messages simultaneously. The ES-5 also has a MIDI IN port, allowing control from other MIDI devices such as sequencers or master clock devices.For the rest of this document, we’re going to take a look at how to implement some of the more commonly used control options, to get you started down the road of discovering the ES-5’s full capability.One of the most basic (yet useful) control functions of the ES-5 is the ability to switch channels on your guitar amplifier and save that channel setting as part of your ES-5 patch. The ES-5 can do this for any amplifier that uses a standard ?” jack for footswitch control. Please consult the amplifier manufacturer to determine suitability of the amplifier controlled by an external switcher such as the ES-5. Let’s look at how we can connect the ES-5 to a guitar amplifier’s footswitch jack and use the ES-5 to change channels.The ES-5 can send a momentary pulse signal, rather than a latching signal, within the PLAY OPTION menu as follows. Example:If this is the case, then set C1 status to “INV”. The Play Options save automatically Another of the most useful features is the ability for the ES-5 to set the TAP TEMPO of any external delay pedal with a tap tempo input jack.It is a very common feature of modern delay pedals to be able to set their delay time by way of an external TAP TEMPO footswitch. The ES-5 has the power to alleviate you of manually tapping the tempo into a pedal, by sending a precise, tempo-controlled series of taps through the EXT CTL jack when you select a patch. Let’s see how to set up the ES-5 to automatically generate Tap Tempo signals from an EXT CTL jack.This setting depends on your delay pedal. i.e. if your delay pedal requires three taps to set the tempo, then you should set the C1 parameter to “ TP3 ” Note that the bottom right hand side of the display shows the current tempo setting in BPM.Selecting d (Eighth note) will send tap pulses at twice the speed of the tempo selected. In this case, we have selected a dotted eight note. Built with portability in mind, the ES-5 has a limited number of footswitches on its chassis.Connecting an expression pedal allows you to do two things: This allows you to use the Expression Pedal to deliver a full range of control to any supported parameter of your MIDI capable device and is a very powerful expansion tool.See the chart below for four examples of external CTL pedal configurations. If latching style operation is required, you can configure it within the ES-5. Once you have connected an external control pedal, it can perform a myriad of functions, which we will look at a little later (see section 4-6). For now though, let’s look at how to configure an external footswitch as a manual TAP TEMPO to change the delay time on a DD-7 delay pedal.This means that only CTL 1 is active and ready for use. CTL 2 will not be accessible.You’ll see this screen:In this case, it assigned to send a signal out of Ctl1. (i.e. EXT CTL 1). Leave these settings as they are.The two available options are MOM or TGL: Momentary or Toggle (Latching). For a Tap Tempo, Momentary is correct, so we do not need to change anything.Note the delay tempo.Play guitar and note that the delay tempo has now changed. Hopefully, you can see from the example above, that using external controls is a very useful tool with dozens of different applications achievable (depending on your connected gear.). In actual fact, the ES-5 has the capability to not only use external pedals to perform advanced tasks, but its own footswitches can be reconfigured and repurposed to perform almost any task you can think of.For those who find the ES-5 footswitch layout not to their liking, or have some buttons that are surplus to requirement, the ES-5 offers the ability to reassign the footswitches to a variety of different tasks.To reassign the function of any footswitch on the ES-5: Let’s take a closer look:The advanced user should become very familiar with how to use these assigns to perform a variety of tasks.Target: What parameter(s) do we wish to control using the source signal.Let’s look at an advanced control function and how to program it: You’ll see this screen:This very useful assign source allows you to assign functionality to the illuminated footswitch of whichever patch number currently selected.We wish the Phaser to operate only while the footswitch is depressed.Congratulations!